The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of ‘poetry’: from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes.

This volume occupies both a foundational and a revolutionary place. Its opening date—1100—marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date—1400—English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts—history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history and mythology, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth-century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forward to the reception of something like a national literary tradition in fifteenth-century literary culture.

Table des matières :

1:Introduction, Helen Cooper and Robert R. Edwards
Part I. Contexts
2:Historical and Political Changes: The Norman Conquest to the Hundred Years’ War, Laura Ashe
3:Poetic Sites, Ralph Hanna
4:Manuscripts: The Textual Record of Middle English Poetry, Simon Horobin
Part II. Literary Culture
5:The Poetic Field, I: Old and Middle English Language and Poetry, Richard Dance
6:The Poetic Field, II: Anglo-Latin, Siân Echard
7:The Poetic Field, III: Anglo-French, Keith Busby
8:The Poetic Field, IV: Welsh, Victoria Flood
9:Verse Forms, Ad Putter
10:Poetic and Literary Theory, Andrew Galloway
Part III. ‘Matere’
11:Poetry and National History, Caroline D. Eckhardt
12:Poetry in its Age: Satire and Complaint, Craig E. Bertolet
13:Doctrine and Learning, Stephen M. Yeager
14:Poetry and the Bible, Jacqueline Tasioulas
15:Saints’ Lives and Sacred Biography, Karen A. Winstead
Part IV. Genre Poetics
16:Narrative on the Margins: Tales and Fabliaux, Christopher Cannon
17:Religious and Didactic Lyrics, Denis Renevey
18:Secular Lyrics, Susanna Fein
19:Non-Cycle Romances of Love, Rhiannon Purdie
20:Romances of the Ancient World, Wolfram R. Keller
21:The Matter of Britain, Elizabeth Archibald
22:Crusade Romances and the Matter of France, Marcel Elias
23:The ‘Matter of England’, Andrew James Johnston
Part V. The Ricardian Poets
24:Piers Plowman, Nicolette Zeeman
25:The Gawain-Poet, Helen Cooper
26:Chaucer’s Courtly Poetry, David Lawton
27:The Canterbury Tales, Barry Windeatt
28:John Gower, R. F. Yeager
29:The Reception of the Middle English Poetic Tradition, Julia Boffey

Informations pratiques :

The Oxford History of Poetry in English, t. 2, Medieval Poetry: 1100-1400, éd. Helen Cooper, Robert R. Edwards, Oxford, Oxford University Press, 2023 ; 1 vol., 560 p. ISBN : 978-0-19882-742-9. Prix : GBP 120,00.

Source : Oxford University Press