Category Archives: Publications

Publication – Karl Whittington, « Trecento Pictoriality: Diagrammatic Painting in Late Medieval Italy »

In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first … Lire la suite →

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Publication – Francesca Trivellato, « Juifs et capitalisme Aux origines d’une légende », trad. Guillaume Calafat et Jacques Dalarun

Francesca Trivellato part sur les traces de la légende qui a accompagné l’idée de prédispositions particulières des Juifs pour le commerce et le crédit. À l’origine se trouve la fable de l’invention juive, à la fin du Moyen Âge, de … Lire la suite →

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Publication – Franziska van Buren, « Aristotle and the Ontology of St. Bonaventure »

Contemporary scholarship on Bonaventure has characterized him as the Neo-platonic foil to the Aristotelianism of his day. The present book, however, shows a Bonaventure who is highly enthusiastic about utilizing the philosophy of Aristotle and who centers much of his … Lire la suite →

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Publication – Clara Romani, « La réforme de Colette de Corbie (1381-1447). Méthodes et mécanismes »

Au cours de la première moitié du XVe siècle, anachorète et abbesse Colette de Corbie (1381-1447) devint la première femme à réformer un ordre monastique contemplatif en fondant vingt-quatre maisons franciscaines en France, en Bourgogne et dans les Pays-Bas. Pendant … Lire la suite →

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Publication – « Paris. The Powers that Shaped the Medieval City », éd. Alexandra Gajewski, John McNeill

Paris: The Powers that Shaped the Medieval City considers the various forces – royal, monastic and secular – that shaped the art, architecture and topography of Paris between c. 1100 and c. 1500, a period in which Paris became one … Lire la suite →

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Publication – Alberto Virdis, « Colors in Medieval Art Theories, Matter, and Light from Suger to Grosseteste (1100–1250) »

Projected color saturates our world of images and screens, leading to a dissociation of color from material realities through its cultural attachment to light and the efflorescence of optics. Under these conditions, it is difficult to imagine a past where … Lire la suite →

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Publication – « Bernardo Tasso gentiluomo del Rinascimento », éd. Franco Tomasi, Giovanni Ferroni, Massimo Castellozzi

Bernardo Tasso (Bergamo, 11 novembre 1493 – Ostiglia, 5 settembre 1569) fu autore di libri di lettere, di poemi cavallereschi, di una vasta produzione lirica in stile ‘antico’ e ‘moderno’; ma fu anche segretario e ambasciatore d’orizzonti europei: dalla Francia … Lire la suite →

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Publication – Benjamin Pohl, « Publishing in a Medieval Monastery. The View from Twelfth-Century Engelberg »

Accès : ici This Element contributes to the burgeoning field of medieval publishing studies with a case study of the books produced at the Benedictine monastery of Engelberg under its celebrated twelfth-century abbot, Frowin (1143–78). Frowin was the first abbot … Lire la suite →

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Publication – Spike Gibbs, « Lordship, State Formation and Local Authority in Late Medieval and Early Modern England »

Providing a new narrative of how local authority and social structures adapted in response to the decline of lordship and the process of state formation, Spike Gibbs uses manorial officeholding – where officials were chosen from among tenants to help … Lire la suite →

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Publication – « Le bolle di Celestino V », éd. Ugo Paoli et Paola Poli

Il volume rappresenta il primo tentativo di «ricostruzione» del registro deperdito delle bolle di Celestino V (5 luglio – 13 dicembre 1294). Dell’esistenza di tale registro sono testimonianza dieci bolle originali che riportano a tergo la R di registrazione e … Lire la suite →

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