Mary of Hungary’s extensive artistic patronage and the collections she formed of an array of artworks, objects and books were by no means an isolated phenomenon within the Habsburg dynasty. On the contrary, the Regent of the Netherlands and loyal adviser to her brother, the Holy Roman Emperor Charles V, emulated the examples of the Habsburg women who preceded her, and in turn provided an exemplar for those that came after. She continued the traditions, trends and practices her ancestors and peers had established, which had been initiated by female members of the Trastámara dynasty, most notably Isabel of Castile This collection of essays examines the cultural patronage of Mary of Hungary in the light of her multiple identities: a humanist-trained patron of the arts; a Habsburg princess closely implicated in the visual construction and projection of Charles V’s political identity across the alliances and divisions of early modern Europe; and a female regent bound by the imperial, dynastic and political ideologies cultivated by the sixteenth-century Habsburg monarchs.
Beyond forming one of the most important art collections of the European Renaissance and playing a prominent role in the patronage of the artists she received under her protection, Mary used art to construct an image of herself that undeniably contributed to the consolidation and dissemination of both her political legitimacy and that of her dynasty among the courts of Europe.
Table des matières :
Introduction – Noelia García Pérez
PART I: Mary of Hungary in context
Challenging Images: Charles V’s relationship with art, artists and festivities – Mía Rodríguez Salgado
Like Aunt like Niece? Assessing the value of Margaret of Austria’s collection for Mary of Hungary – Dagmar Eichberger
Alessandro Nogarola’s Rediscovered Vita of Mary of Hungary, Regent of the Netherlands – Annemarie Jordan Gschwend
PART II: Mary of Hungary and the arts
Mary of Hungary, patron and collector, from political to cultural history: the state of the question –Noelia García Pérez
Titian, Mary of Hungary, and Venus and Psyche – Miguel Falomir Faus
«A woman who is so much like a man»: Mary of Hungary, Female Rulership, and Portraits by the Leoni – Kelley Helmtutler Di Dio
A New Perspective on Mary of Hungary’s Labours of Hercules Tapestries (Patrimonio Nacional, series 23) – Anne Sophie Laruelle
Female readings and dynastic bibliophilia on Mary of Hungary – José Luis Gonzalo Sánchez-Molero
Mary of Hungary, Patron of Music – Camilla Cavicchi
Informations pratiques :
Mary of Hungary, Renaissance Patron and Collector. Gender, Art and Culture, dir. Noelia García Pérez, Turnhout, Brepols, 2020 (Études Renaissantes, 31).
Source : Brepols