Publication – Hannah Weaver, « Experimental Histories. Interpolation and the Medieval British Past »

In Experimental Histories, Hannah Weaver examines the medieval practice of interpolation—inserting material from one text into another—which is often categorized as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of medieval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in medieval historiography can be found in these altered narratives of the past.

For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analyzing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in medieval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.

Hannah Weaver is Assistant Professor of English and Comparative Literature at Columbia University. She is the coeditor of a special issue of the Medieval Globe titled Medieval Re-Creation.

Informations pratiques :

Hannah Weaver, Experimental Histories. Interpolation and the Medieval British Past, Ithaca (NY), Cornell University Press, 2024 ; 1 vol., 246 p. ISBN : 978-1-50177-620-5. Prix : USD : 46,95.

Source : Cornell University Press

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Publication – Steven H. Wander, « Flavius Josephus and Artwork of Roman Antiquity and the Early Middle Ages »

Flavius Josephus and Artwork of Roman Antiquity and the Early Middle Age demonstrates how the writings of the first-century Judaean historian influenced the genesis, nature and design of major monuments of the first millennium: 1) The frieze of the Spoils from the Temple in Jerusalem, Arch of Titus: 2) the Portrait of Josephus in Bern, Burgerbibliothek, Cod. 50, fol. 2r; 3) The Sack of Jerusalem on the Franks (Auzon) Casket 4) The Lost Portico Mosaics at S. Giovanni in Laterano, Rome; Illuminations in 5) the Christian Topography of Kosmas Indikopleustes. 6) the Codex Amiatinus; and 7) The Paris Psalter.

Table des matières : ici

Informations pratiques :

Steven H. Wander, Flavius Josephus and Artwork of Roman Antiquity and the Early Middle Ages, Wiesbden, Reichert Verlag, 2024 ; 1 vol., 238 p. ISBN : 978-3-75200-791-6. Prix : € 129,00.

Source : Reichert Verlag

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Publication – « Death and Dying in the Middle Ages. Proceedings of the 2022 Harlaxton Symposium, Harlaxton Medieval Studies XXXIII », éd. Christian Steer, Jenny Stratford

A fine new copy. ere are thirteen peer-reviewed essays by leading historians exploring the subject of death and dying in the middle ages. The essays explore some of the many ways in which death in its practical and devotional aspects impinged on the lives of medieval people, men and women, rich and poor, both in England and in continental Europe. Underlying and linking the papers is the medieval preoccupation with the transitory nature of life and the fear of sudden death. A study of the text and illumination of the famous 11th-century Tiberius Psalter in the British Library begins the book. Two essays follow about sudden death, mainly murder, in London and Bologna. In the first of three literary papers, purgatory is discussed in the context of the Compileison, an influential but little-known prose treatise; the second concentrates on the diverse ways death is treated in late medieval English verse, and the third on ?Laments?, verse elegies for eminent people in manuscript and print. In his last Harlaxton paper, the late Clive Burgess proposed a new perspective on English parish chantries, suggesting that as well as caring for the salvation of individual souls, chantries meant extra priests, vessels and vestments, benefitting the Church as a whole. On a different scale, written and visual sources allow for a close look at the richly endowed perpetual chantries established by Isabella of Portugal, third wife of Philip the Good, duke of Burgundy, in Carthusian houses. Funerals and wills are illustrated by the state funeral in Florence of the condottiere, Niccolò da Tolentino, by the funeral palls of Henry VII, and by the complex and exceptionally well-documented story of the execution of the will of Sir Thomas Lucy of Charlecote in Warwickshire, who died in 1525. Monuments commemorating the medieval dead are represented by a splendid but now lost tomb in Bruges, and by a chantry chapel in Hexham Abbey.

The authors of the essays in order of appearance are T. A. Heslop, Henry Summerson, Trevor Dean, Nicholas Watson, Julia Boffey, A. S. G. Edwards, Clive Burgess, Nicholas Flory, Jane Bridgeman, Lisa Monnas, Richard Asquith, Ann Adams and Julian Luxford. The book is indexed and has 62 pictures. 259pp. Seller Inventory # 061810.

Informations pratiques :

Death and Dying in the Middle Ages. Proceedings of the 2022 Harlaxton Symposium, Harlaxton Medieval Studies XXXIII, éd. Christian Steer, Jenny Stratford, Donington, Shaun Tyas, 2024 ; 1 vol., 259 p.

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Publication – « De l’eau, du sel et des hommes. Histoire, archéologie, environnement », éd. Éric Normand, Alain Champagne

Depuis 2011, une vingtaine de chercheurs, venus de tous horizons géographiques, disciplinaires et institutionnels se penchent sur un territoire commun, le marais de Brouage ou marais charentais. Ils partagent leurs compétences respectives pour tenter de percer le fonctionnement et les évolutions de ce vaste territoire de 16 000 ha.

En se centrant sur les époques médiévales, modernes et contemporaines, archéologues, environnementalistes, géographes et historiens ont choisi de se pencher sur la période qui a vu le marais que nous connaissons se combler lentement avec la mise en place des salines, qui ont fait la richesse de ce territoire, et la fondation du port de Brouage. Toutefois, la glorieuse période de « l’or blanc » se terminera par la reconversion de ce territoire vers une nouvelle activité, l’agriculture et particulièrement l’élevage, conférant au territoire sa physionomie actuelle, tout en gardant dans le paysage les traces de son activité primitive.

Avec le soutien du ministère de la Culture, DRAC Nouvelle-Aquitaine et du laboratoire CESCM (CNRS / Université de Poitiers).

Table des matières : ici

Informations pratiques :

De l’eau, du sel et des hommes. Histoire, archéologie, environnement, éd. Éric Normand, Alain Champagne, Rennes, Presses universitaires de Rennes, 2024 ; 1 vol., 256 p. (Archéologie et culture). ISBN : 978-2-75359-648-1. Prix : € 35,00.

Source : Presses universitaires de Rennes

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Publication – Rachel Schine, « Black Knights. Arabic Epic and the Making of Medieval Race »

A new account of racial logics in premodern Islamic literature.

In Black Knights, Rachel Schine reveals how the Arabic-speaking world developed a different form of racial knowledge than their European neighbors during the Middle Ages. Unlike in European vernaculars, Arabic-language ideas about ethnic difference emerged from conversations extending beyond the Mediterranean, from the Sahara to the Indian Ocean. In these discourses, Schine argues, racialized blackness became central to ideas about a global, ethnically inclusive Muslim world.

Schine traces the emergence of these new racial logics through popular Islamic epics, drawing on legal, medical, and religious literatures from the period to excavate a diverse and ever-changing conception of blackness and race. The result is a theoretically nuanced case for the existence and malleability of racial logics in premodern Islamic contexts across a variety of social and literary formations.

Table des matières :

Introduction

Part One: Making Race

  1. Origin Stories of the Black-Arab Hero
  2. Conceiving ʿAbd al-Wahhāb
  3. The (Popular) Science of Difference

Part Two: Race through Time

  1. The Past
  2. The Present

Part Three: Race through Space

  1. Venturing Abroad
  2. Returning Home

Conclusion

Acknowledgments
Appendix
Bibliography
Index

Informations pratiques :

Rachel Schine, Black Knights. Arabic Epic and the Making of Medieval Race, Chicago, The University of Chicago Press, 2024 ; 1 vol., 328 p. ISBN : 978-0-22683-617-1. Prix : USD 38,00.

Source : The University of Chicago Press

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Publication – Andrea Maraschi, Francesca Tasca, « Food, Heresies, and Magical Boundaries in the Middle Ages »

In this book readers will find stories about medieval heresies and “magic” from an unusual perspective: that of food studies. The time span ranges from Late Antiquity to the Late Middle Ages, while the geographical scope includes regions as different as North Africa, Spain, Ireland, continental Europe, the Holy land, and Central Asia. Food, heresies, and magical boundaries in the Middle Ages explores the power of food in creating and breaking down boundaries between different groups, or in establishing a contact with other worlds, be they the occult sides of nature, or the supernatural. The book emphasizes the role of food in crafting and carrying identity, and in transferring virtues and powers of natural elements into the eater’s body. Which foods and drinks made someone a heretic? Could they be purified? Which food offerings forged a connection with the otherworld? Which recipes allowed gaining access to the hidden powers within nature?

Andrea Maraschi has a PhD in Medieval History (University of Bologna), and has been a postdoctoral fellow at the University of Iceland and at the University of Bari. He teaches Anthropology of Food at the University of Bologna. His research interests touch, among other things, the history of food, the history of magic, and the history of medicine.

Andrea Maraschi has a PhD in Medieval History (University of Bologna), and has been a postdoctoral fellow at the University of Iceland and at the University of Bari. He teaches Anthropology of Food at the University of Bologna. His research interests touch, among other things, the history of food, the history of magic, and the history of medicine.

Introduction. On food and boundaries: New trends in Food History
Part I. Religious boundaries
Chapter 1: Religious Identities and Consuming Differences in Augustine’s De haeresibus
Chapter 2: Dinner with the Heretic: The Story of an Ordal Meal in the De Gloria Martyrum by Gregory of Tours
Chapter 3: Consuming Heresy according to Walter Map: How to restate the boundaries of the status quo
Chapter 4: Kumiss in William of Rubruck’s Itinerarium: A Mongolian Beverage of Apostasy
Part II. Magical boundaries
Chapter 5: Saint Brigit and Milk from the Otherworld
Chapter 6: A Pagan Counter-Cuisine: Food and the Supernatural in Burchard of Worms’s Corrector
Chapter 7: Cannibalism and natural magic: Human flesh as a gate to the hidden powers of nature in the Picatrix
Chapter 8: Niccolò da Poggibonsi and the “Magical” Bread of Bethlehem
Concluding remarks: Boundary foods and boundaries of food
Index

Informations pratiques :

Andrea Maraschi, Francesca Tasca, Food, Heresies, and Magical Boundaries in the Middle Ages, Amsterdam, Amsterdam University Press, 2024 ; 1 vol., 254 p. (Food Culture, Food History before 1900). ISBN : 978-9-46372-796-9. Prix : € 123,99.

Source : Amsterdam University Press

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Publication – Michael Edward Moore, « Continuity and Rupture in the Long Middle Ages. Religion, Law and Interpretation »

The “Long Middle Ages” indicates a span of time extending from Antiquity, across the Middle Ages, to the Early Modern period. The author tries to understand factors of historical continuity binding this period together and the periodic scenes of violent change that disrupted societies and traditions. The Long Middle Ages were established on classical and biblical foundations, while each generation interpreted and expanded on those origins. The cohesion of the Long Middle Ages was brought about by continuous acts of reflection and renascence. Scholarly practices and ideas of Antiquity were taken up in the monasteries and cathedral schools of the Middle Ages, while during the Renaissance, and then the Baroque period, thinkers looked back to Antiquity and to the Middle Ages.

Continuity and Rupture in the Long Middle Ages is an interdisciplinary approach to intellectual history, which puts the history of ideas in the context of cultural, political, religious, and legal history. Medieval history is the central moment, while continuity and change are found in traditions extending from the Lord’s Prayer (AD 30) to Jean Mabillon (AD 1632–1707) and onward to moderns like Ernst Cassirer and Paul Ricoeur. Readers will discover new significance in historical figures like the Venerable Bede, Boniface of Mainz, Charlemagne, and Pope Formosus – in the laws of medieval kings and bishops – and institutions like the monastery of Cluny.

These essays, gathered together for the first time in this Variorum volume, offer powerful new interpretations for students and researchers in the fields of medieval studies, legal and literary interpretation, legal history, and the history of European intellectual life from ancient to modern times.

Michael Edward Moore is Emeritus Associate Professor of Medieval and European History, University of Iowa. He has published numerous essays on political culture and European intellectual history. He is the author of A Sacred Kingdom: Bishops and the Rise of Frankish Kingship and Nicholas of Cusa and the Kairos of Modernity. Born in Nuremberg, Germany, Moore was raised in New England and later among the woods and farmland of his native Michigan. He received his Ph.D. from the University of Michigan where he studied with Hans Küng and Czeslaw Milosz. He enjoys canoeing and hiking in the wilderness.

Part I: Religion

1. Demons and the Battle for Souls at Cluny

Originally published as: “Demons and the Battle for Souls at Cluny.” Studies in Religion / Sciences réligieuses 32.4 (2003): 485-497.

Reprinted by permission of Sage Journals.

2. Bede’s Devotion to Rome: The Periphery Defining the Center

Originally published as: “Bede’s Devotion to Rome: The Periphery Defining the Center.” Bède le Vénérable entre tradition et postérité. Edited by Stephane Lebecq, Michel Perrin et Olivier Szerwiniack. Lille: CEGES, 2005. 199-208.

Reprinted by permission of Université Lille, CEGES.

3. The Frankish Church and Missionary War in Central Europe

Originally published as: « The Frankish Church and Missionary Warfare in Central Europe. » Between Sword and Prayer: Warfare and Medieval Clergy in Cultural Perspective. Edited by Radoslav Kotecki, Jacek Maciejewsky, Jon S. Ott. Leiden: E.J. Brill, 2017. 46-87.

Reprinted by permission of E.J. Brill – Leiden.

4. The Attack on Pope Formosus: Papal History in an Age of Resentment

Originally published as: « The Attack on Pope Formosus: Papal History in an Age of Resentment (875-897). » Ecclesia et Violentia: Violence Against the Church and Violence Within the Church in the Middle Ages. Edited by Radoslav Kotecki and Jacek Maciejewski. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2014. 184-208.

Reprinted by permission of Cambridge Scholars Publishing.

5. The Body of Pope Formosus

Originally published as: “The Body of Pope Formosus.” Millenium. Jahrbuch zu Kultur und Geschichte des ersten Jahrtausends n. Chr. / Yearbook on the Culture and History of the First Millenium C.E., 9 (2012): 277-297.

Reprinted by permission of Walter de Gruyter Academic Publishing.

Part II: Law

6. Carolingian Monarchy and Ancient Irish Models of Kingship

Originally published as: “La Monarchie carolingienne et les anciens modeles irlandais.” Annales – Histoire, Sciences Sociales, 51 (1996): 307–324. Translated into French by Alain Boureau.

Reprinted by permission of Éditions de l’EHESS, Paris.

7. The Ancient Fathers: Christian Antiquity, Patristics and Frankish Canon Law

Originally published as: « The Ancient Fathers: Christian Antiquity, Patristics and Frankish Canon Law. » Millenium. Jahrbuch zu Kultur und Geschichte des ersten Jahrtausends n. Chr. / Yearbook on the Culture and History of the First Millenium C.E., Vol.7 (2010): 293-342. Reprinted by permission of Walter de Gruyter Academic Publishing.

8. Canon Law and Royal Power in the Councils and Letters of St. Boniface

Originally published as: “Canon Law and Royal Power in the Councils and Letters of St. Boniface.” The Bulletin of Medieval Canon Law 28 (2008) [2010]: 1-30.

Michael Edward Moore, Continuity and Rupture in the Long Middle Ages. Religion, Law and Interpretation, Lodnres, Routledge, 2024 ; 1 vol., 308 p. ISBN : 978-1-03250-241-0. Prix : GBP 130,00.

Source : Routledge

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Colloque – Marc Bloch et Les Rois thaumaturges, 1924-2024. Mentalités et anthropologie historique, un siècle après

Marc Bloch et Les Rois thaumaturges, 1924-2024
Mentalités et anthropologie historique, un siècle après

12-14 décembre 2024
12-13 décembre
> Université Lyon 2, amphi Laprade, bât. Clio
14 décembre > ENS de Lyon, amphi Descartes`

Débats à suivre en ligne le jeudi et le vendredi via ce lien.

Comité scientifique : Matis Bloch, Suzette Bloch, Cécile Caby (Sorbonne Université), Nicolas Carrier
(Université Jean-Moulin Lyon 3), Carlo Ginzburg (Université de Californie, Los Angeles), Xavier Hélary (Sorbonne Université), Marie-Céline Isaïa (Université Jean-Moulin Lyon 3), Frédérique Lachaud (Sorbonne Université), Sylvain Parent (ENS Lyon), Peter Schöttler (Université libre de Berlin), Julien Théry (Université Lumière Lyon 2)

Programme provisoire :

09h00 Accueil par les autorités
09h15 Conférence d’ouverture : Carlo Ginzburg (Univ. de Californie, Los Angeles), « Relire Les Rois thaumaturges »

09h55 Introduction : Julien Théry (Univ. Lyon 2), « Marc Bloch, le politique, le religieux et l’anthropologie historique »

Présidence : Jacques Chiffoleau (EHESS)
L’environnement intellectuel

10h15 Peter Schöttler (Univ. Libre de Berlin), « Marc Bloch, Durkheim et le positivisme critique »
10h45 Pause

11h00 Bertrand Müller (CNRS, Centre Maurice Halbwachs), « Mémoire, tradition, histoire : Marc Bloch et Maurice Halbwachs »
11h30 Xavier Hélary (Sorbonne Université), Elisabeth Lalou (Univ. de Rouen), « Marc Bloch historien des Capétiens. Ses relations avec Robert Fawtier »
12h00 Discussion
12h15 Déjeuner

Le livre et ses prolongements
Après-midi (Univ. Lyon 2, amphi Laprade, bât. Clio)
Présidence : Cécile Caby (Sorbonne Université)

14h00 Francesco Mores (Univ. d’État de Milan), « Marc Bloch et l’Antiquité des modernes »
14h30 Marie Isaïa (Univ. Lyon 3), « Marc Bloch et l’hagiographie »
15h00 Caroline Royet-Chevalier (Univ. Lyon 3), « Exégèse et sacralité royale pendant le Haut Moyen Âge »
15h30 Discussion
15h45 Pause

16h00 Jerzy Pysiak (Univ. de Varsovie), « Les premières traces du toucher royal des écrouelles »
16h30 Nicholas Vincent (Univ. d’East Anglia), « Ce que Marc Bloch n’a jamais vu : reliques, pèlerinages et aumônes dans la maison royale anglaise, 1199-1306 »
17h00 Discussion

Vendredi 13 décembre
Matinée (Univ. Lyon 2, amphi Laprade, bât. Clio)

Présidence : Frédérique Lachaud (Sorbonne Université)

09h00 Jean-Philippe Genet (Univ. Panthéon-Sorbonne), « Marc Bloch a-t-il vraiment comparé les monarchies française et anglaise ? »
09h30 Annick Peters-Custot (Univ. de Nantes), « Une royauté sacrée pleine d’ambiguïtés : la royauté impériale des Hauteville de Sicile »
10h00 Jacques Chiffoleau (EHESS), « Les merveilles du pouvoir et la dureté des institutions. Miracle royal et construction de la majesté »
10h30 Pause

10h45 Luc Renaut (Univ. de Grenoble), « Le corps marqué des rois et des guérisseurs : de la
tache de naissance au tatouage »
11h15 Zhao Lv (Univ. Tsinghua, Pékin), « Les Rois thaumaturges et la réception de Marc Bloch
en Chine »
11h45 Discussion
12h00 Déjeuner

Après-midi (Univ. Lyon 2, amphi Laprade, bât. Clio)
Présidence : François-Olivier Touati (Univ. de Tours)

Intermède : Marc Bloch, l’homme et l’historien

13h45 François-Olivier Touati (Univ. de Tours), Introduction
14h00 Suzette Bloch, « Marc Bloch : généalogie familiale »
14h35 Peter Schöttler (Univ. Libre de Berlin), « Marc Bloch, la politique et le nazisme »
15h10 Pause

15h20 Massimo Mastrogregori (Univ. de San Marino), « Les dernières années de Marc Bloch,
1940-1944 »
15h55 Carole Fink (Univ. d’Etat l’Ohio), « Marc Bloch as Historian-Witness in his postwar
testimony, L’Etrange défaite ».
16h30 Pause

16h45 Table ronde : Jacques Chiffoleau (EHESS), Carole Fink (Univ. d’Etat de l’Ohio), Carlo
Ginzburg (Univ. de Californie, Los Angeles), Florence Hulak (Univ. Paris 8), Peter
Schöttler (Univ. Libre de Berlin), François-Olivier Touati (Univ. de Tours)

Présidence : Sylvain Parent (ENS Lyon)
La méthode de l’anthropologie historique

09h00 Olivier Dumoulin (Univ. de Caen), « Les caractères originaux de Marc Bloch. À propos des Rois thaumaturges »
09h30 Nicolas Carrier (Univ. Lyon 3), « Histoire des mentalités et histoire sociale : Marc Bloch et le servage »
10h00 Discussion
10h15 Pause

10h30 Florence Hulak (Univ. Paris 8), « Marc Bloch et l’analyse historique des mythes »
11h00 Christophe Prochasson (EHESS), « Ce que Marc Bloch fait à l’histoire contemporaine »
11h30 Discussion générale
12h00 Clôture du colloque

Source : Ciham – CNRS

Publié dans Colloque | Laisser un commentaire

Base de données – RKD Launches Marks on Art Database

Accès : ici

The RKD – Netherlands Institute for Art History launches Marks on Art, a new database featuring marks on late medieval sculpture and on sixteenth- and seventeenth-century paintings from the Northern and Southern Netherlands. The database is part of RKD Research and was developed in close cooperation with specialists in the field. Marks on Art will be continuously enhanced with new data.

Different types of marks

Several types of marks appear on sculptures and paintings, each with a specific function and origin. Maker’s marks, such as master’s marks, workshop marks, and those of copperplate or panel makers, were applied by the artist or craftsman themselves. Guild marks, added by the local guild, ensured the quality of the materials used. Some sculptures and paintings also bear (traces of) groove or forest marks – geometric motifs carved into the wood with a groove knife. These marks indicate the trade and transport of wood, often originating from Eastern Europe. A separate category consists of positioning marks, usually numbers or letters, which show how different statue groups were to be arranged, for example, in a carved altarpiece.

Unique information about artworks

All of these marks provide unique information about the artwork, relating to the maker, dating, place of manufacture, materials used, and production process. They can also offer insights into previous restorations and the object’s provenance history. Each record in Marks on Art contains a detailed description of a mark, accompanied by one or more images, and is linked to the corresponding artwork in RKDimages. By systematically compiling marks in a database, it becomes easier to recognize patterns in the marks and connect artworks to specific makers, workshops, or periods. Additionally, connections can be made with technical research data, such as those from Dendro4Art. This database serves as a valuable tool for researchers and restorers, enabling them to make informed decisions in the conservation and further study of art objects.

Feedback requested

The Marks on Art database currently contains over 1500 marks. The project is ongoing, and new marks will be added continuously. Several fields, including literature and remarks, will be added at a later phase. The RKD welcomes feedback from users of this first version of Marks on Art for its further development. Questions, comments, and suggestions can be sent to marksonart@rkd.nl.

Source : Codart

Publié dans Banque de données, Web | Laisser un commentaire

Publication – « Il Digesto, il Codice di Giustiniano e la loro tradizione manoscritta. I mss. 688 e 941 della Biblioteca Universitaria di Padova », éd. Nicoletta Giovè Marchioli, Paola Lambrini, Mattia Milani

Il volume raccoglie gli atti di un convegno patavino svoltosi nel 2021 nell’ambito del progetto di ricerca For.Ma. – The Forgotten Manuscripts. Il progetto, avviato dall’Università di Padova, aveva tra i suoi obiettivi quello di riportare al centro dell’attenzione due codici del XII secolo che custodiscono alcune parti del Codice e del Digesto di Giustiniano.

Si tratta di materiali di fondamentale importanza, non solo per lo studio del diritto del nostro passato, ma anche per la ricostruzione della storia della città di Padova e della sua Università, in quanto testimoni diretti e tangibili dell’attività di docenti e discepoli nei primi tempi dello Studium generale. I contributi qui raccolti li esaminano in una pluralità di prospettive differenti, a seconda delle competenze e delle sensibilità dei diversi autori, o percorrono sentieri di indagine che da quei codici si irradiano, rivelando così la ricchezza di informazioni e di spunti che essi sono tuttora in grado di offrire.

Table des matières :

  • Paola Lambrini, Per un rinnovato studio della tradizione manoscritta del Corpus iuris civilis: il progetto For.Ma.
  • Nicoletta Giovè Marchioli , A proposito dei due manoscritti: altri occhi per le stesse cose
  • Mattia Milani, Ancora sulla tradizione del Digesto e sui primi testimoni della Vulgata: alcune riflessioni a partire dal ms. 941 della Biblioteca Universitaria di Padova
  • Lucio De Giovanni, Giustiniano e la compilazione del Digesto
  • Bernard H. Stolte, La prima circolazione del Digesto. Le testimonianze greche e il loro significato per la critica del testo latino
  • Charles M. Radding, The Place of the Digest in Eleventh-Century Legal Culture
  • Antonio Ciaralli, La trasmissione del Digesto tra tardo antico e medioevo
  • Lavinia Prosdocimi, La nota dell’arcidiacono: nuovi spunti di ricerca per la storia del ms. 941 della Biblioteca Universitaria di Padova
  • Raffaele Volante, Patti e contratti nelle glosse del ms. 941 della Biblioteca Universitaria di Padova: un tentativo di lettura dogmatica
  • Gero R. Dolezalek, Glosses Even Before Irnerius in Ms. Padova, Biblioteca Universitaria, 941
  • Pierpaolo Bonacini, Problemi compositivi e tracce d’uso del ms. 941 della Biblioteca Universitaria di Padova: aspetti testuali e iconografici
  • Alberto Zini, Il Digesto e le origini dello Studium patavino
  • Salvatore Puliatti, Il Codice di Giustiniano: profili di tradizione testuale
  • Carmen Tort-Martorell, Consideraciones en torno a la tradición manuscrita del Codex Iustinianus
  • Anna Maria Giomaro, Momenti e immagini della tradizione manoscritta del Codex Iustinianus
  • Mario Varvaro, Le prime fasi dell’edizione del Codex Iustinianus in alcune lettere inedite di Paul Krüger
  • Gianluca del Monaco, Per la decorazione del diritto giustinianeo nel XII secolo: le miniature dei mss. 688 e 941 della Biblioteca Universitaria di Padova
  • Bibliografia
  • Indice dei nomi
  • Crediti fotografici

Informations pratiques :

Il Digesto, il Codice di Giustiniano e la loro tradizione manoscritta. I mss. 688 e 941 della Biblioteca Universitaria di Padova, éd. Nicoletta Giovè Marchioli, Paola Lambrini, Mattia Milani, Rome, Viella, 2024 ; 1 vol., 374 p. (Scritture e libri del medioevo, 26). ISBN : 979-1-25469-731-3. Prix : € 49,00.

Source : Viella

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