Offre d’emploi – FED-tWIN Project « IOHANNES » on early Netherlandish painting

EA07_FED-tWIN_IOHANNES_V4.docx

The Royal Institute for Cultural Heritage (KIK-IRPA) & the Université catholique de Louvain (UCLouvain)

recruit 1 FTE researcher with a PhD in Art History

shared between the two institutions
50% Postdoctoral research assistant (UCLouvain) 50% SW2 Work Leader (KIK-IRPA)

in the framework of the
FED-tWIN research profile Prf-2022-0012-IOHANNES

About the Royal Institute for Cultural Heritage (KIK-IRPA)

The Royal Institute for Cultural Heritage (KIK-IRPA) is based in Brussels. It is a federal scientific institution that takes care of Belgium’s artistic heritage. Since its foundation in 1948 the Institute’s approach is interdisciplinary, bringing together art historians, photographers, chemists, physicists, conservators-restorers, experts in image creation, engineers, geologists, etc. With the Center for the Study of the Flemish Primitives, KIK-IRPA boasts an internationally renowned research unit for the study and inventorying of 15th-century paintings from the Southern Low Countries. Three scholarly series on Flemish Primitives present the results of the various research projects of the Study Center: the Corpus, the Repertory and the Contributions.

See more on: https://www.kikirpa.be/en/study-center-flemish-primitives?lang=en

About the Université catholique de Louvain (UCLouvain)

The UCLouvain has a long tradition in the study of 15th-century Flemish painting. This field is today at the heart of the research carried out essentially within the framework of the Center for Cultural Analysis of Early Modernity (GEMCA). Since its creation 2008, the GEMCA has developed a strong and recognized expertise in the wide-ranging field of cultural analysis. Its members carried out and are currently leading several funded projects (FRFC-FNRS, Brain-Belspo, ARC, etc.) that have

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made it possible to investigate many facets of the relationship between the arts and religion in a resolutely interdisciplinary perspective and with the aim of renewing the methodologies for analyzing religious images and objects.
The center is currently co-directed by five full-time permanent staff members (Ralph Dekoninck, Ingrid Falque, Agnès Guiderdoni, Caroline Heering and Aline Smeesters). The team currently comprises twenty-three PhD students, five postdocs, five scientific collaborators, as well as a dozen associate members from other universities. They are historians, historians of art and of literature, and philosophers focusing their research on the late medieval and early modern visual and cultural studies.

See more on: https://uclouvain.be/fr/instituts-recherche/incal/gemca

Job description

The candidate has to be a postdoctoral researcher with a PhD in art history (or an equivalent degree indicating a specialization in the field of art historical research). He/she will be responsible for developing art historical research on Netherlandish paintings in their context of production and reception. The main mission of the FED-tWIN researcher is to launch an innovative interdisciplinary project about the collection of paintings of the Saint John’s Hospital in Bruges, of which all Memling paintings are currently undergoing a new scientific imagery campaign for Musea Brugge.

Within this project the goal is to bridge the gap between two different approaches in studies on 15th-century Netherlandish painting. The first one deals with technical art history, a specialisation of KIK-IRPA, studying the construction of the painting, the creative process, the underdrawing, the painting technique in order to find answers in terms of authenticity, attribution and dating. The focus of the second approach is not the question of ‘how’ a painting is made but ‘why’, an approach in which the UCLouvain and the GEMCA are specialized. This research deals with the intentions of the patron, the functions of the painting, its meanings and the way it was used in its original context. It involves devotional and ritual practices, and text/images relationships through an interdisciplinary approach between art history, literature and history of religions.

The final goal of the project is the publication of the overall research results in a monographic volume the series of the Corpus of Flemish Primitives, dedicated to the collection of the Saint John’s Hospital.

About the joint FED-tWIN profile “IOHANNES”

The Center for the Study of the Flemish Primitives of the KIK-IRPA and the GEMCA at the Institute INCAL (Institut des civilisations, arts et lettres) of the UCLouvain collaborate in the framework of the program FED-tWIN, funded by the belgian Federal Science Policy (BELSPO).

The research profile, called IOHANNES, will focus on early Netherlandish paintings in their original settings and on the ways of creating, viewing and using images in 15th-century southern Low Countries. The FED-tWIN program of BELSPO aims to promote sustainable cooperation between the ten Federal Scientific Institutions and the eleven Belgian universities through the funding of joint research profiles. The research profile Prf-2022-0012_IOHANNES is a joint initiative of the KIK-IRPA and

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UCLouvain. Dr. Bart Fransen (KIK-IRPA) and Prof. Dr. Ingrid Falque (UCLouvain) are the promoters.
The position to be filled consists of the combination of a half-time position at the Royal Institute for Cultural Heritage (50% SW2 work leader) and a half-time position at UCLouvain (50% postdoctoral researcher). The candidate must be willing to hold the part-time positions at both institutions and must also apply for both.

The researcher will perform the following tasks:

  • ●  The launch and coordination of an interdisciplinary research project about the collection of 15th-century Netherlandish paintings of the Saint John’s Hospital in Bruges.
  • ●  The collaboration in research and exchange of expertise with colleagues of the KIK-IRPA, the UCLouvain, Musea Brugge and other partner institutions.
  • ●  The writing of catalogue entries and essays for the publication of the results of the research on the collection of 15th-century Netherlandish paintings of the Saint John’s Hospital in Bruges.
  • ●  The editorial coordination of the publication in the series of the Corpus of Flemish Primitives.
  • ●  The writing of articles in scientific journals, exhibition catalogues, collective publications or in conference proceedings.
  • ●  The organisation and participation in scholarly events (congresses, symposiums) at the Belgian and international levels, in the specific field of research of early Netherlandish painting.
  • ●  The dissemination and valorization of the research results to the general public.
  • ●  Active participation in the scientific activities of the Center for the Study of the Flemish Primitives and the GEMCA.
  • ●  To stimulate research at doctoral and post-doctoral level by initiating new projects, promoting existing projects, and applying for national and international funding.
  • ●  To encourage scientific cooperation at the national level with other centers or research groups working in the same field. Conditions for admission
  • ●  The intended candidate must hold a EU degree of Doctor in Art History (or an equivalent degree indicating a specialization in the field of art historical research).
    When assessing a non-EU diploma, an equivalence certificate has to be requested from ENIC-NARIC; we recommend that you – if necessary – start the recognition procedure at ENIC-NARIC as soon as possible. You must have this recognition no later than the date of appointment. The PhD degree is obtained at the earliest 12 years prior to the submission of the job application with derogations. The 12-year period is extended by one year for each maternity, parental or adoption leave of the candidate and for each long-term sick leave of the candidate or his/her immediate family.
  • ●  The intended candidate can be assigned to the French or to the Dutch language role, according to the rules set by the federal laws on the use of

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languages in the Belgian public administration. A good knowledge (written and spoken) of English, French and/or Dutch is required.

● The candidate must be willing to hold the two part-time positions at both institutions (KIK-IRPA, Brussels and UCLouvain, Louvain-la-Neuve) and must also apply for both through a single application, according to the procedure outlined here. Only applying for some and not all of the part-time positions is not possible.

Requested profile

  • ●  Experience in conducting scientific research on early Netherlandish paintings at top level.
  • ●  Excellent writing and communication skills both to a specialized audience (national and international scholarly community) and to a wider audience (local events, radio broadcasts, etc.).
  • ●  Experience in the field of scientific animation: organization of symposiums, setting up of a national and international network, setting up of exhibitions, etc.
  • ●  Considered as a plus: the candidate has relevant experience within a cultural heritage institution, in object-based research in interdisciplinary collaboration.
  • ●  It is recommended to have experience in international mobility, including through participation in research programs at research institutions not affiliated with the university where the highest degree was obtained.
  • ●  Research experience in the most recent trends in the study of early Netherlandish painting, especially in iconography, meaning and function of art objects.
  • ●  Good knowledge of the art production of the 15th century in an international context.
  • ●  Interest in technical research on art objects (scientific imagery, technical and material analyses). We offer
  • ●  A FTE contract of indefinite duration, half-time at the UCLouvain as Postdoctoral Researcher and half-time at the KIK-IRPA as Work Leader (SW2) starting in Fall 2023.
  • ●  A monthly gross salary of at least € 2.656,50 at the Royal Institute for Cultural Heritage, and of at least € 2.132 at UCLouvain, to which are added the holiday allowance and the end-of-year bonus.
  • ●  Variable working hours during the week of 38 hours (19 hours at IRPA and 19 hours at UCLouvain).
  • ●  Place of work: KIK-IRPA in Brussels ; UCLouvain in Louvain-la-Neuve.
  • ●  Free public transport to and from work and possibility of obtaining a bicycle allowance (KIK-IRPA and UCLouvain).
  • ●  Group hospitalization insurance and other benefits (KIK-IRPA and UCLouvain).

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How to apply?

The selection procedure will be carried out in the first instance on the basis of an assessment of the application file and in the second instance on an interview that will take place in Brussels at KIK-IRPA on 23 January 2023.

Candidates must send their application by Sunday 31 December 2023 at the latest, by e-mail to Ingrid Falque (ingrid.falque@uclouvain.be), quoting the reference « Application for the profile IOHANNES« .

This application must include the following documents in pdf:

  1. aletterofmotivation
  2. afullCV
  3. acopyofyourMasterandPhDdiplomas
  4. adescription(inmaximum500words)oftwoofyourmainresearchprojects
  5. copies of maximum three of your publications related to early Netherlandish painting
  6. names, positions and e-mail addresses of two referees (no letters of reference)

Late or incomplete applications will not be considered.
KIK-IRPA and UCLouvain pursue an equal opportunities and diversity policy and therefore encourage everyone to apply.

Contact

Prof. Dr. Ingrid Falque
Research associate of the FNRS and professor of medieval art history ingrid.falque@uclouvain.be

Dr. Bart Fransen
Head of the Center for the Study of the Flemish Primitives, KIK-IRPA, Brussels bart.fransen@kikirpa.be

Publié dans Offre d'emploi | Laisser un commentaire

Publication – « Genealogisches Wissen in Mittelalter und Früher Neuzeit. Konstruktion – Darstellung – Rezeption », éd. Giuseppe Cusa et Thomas Dorfner

In premodernity, genealogy was of high societal importance, which is why genealogical knowledge was a central resource in struggles for rank and office. Numerous actors thus attempted to gain this knowledge and to present or reject it. This volume examines how contemporaries approached genealogical knowledge, and inquires into its construction, presentation, and reception.

Giuseppe Cusa; Thomas Dorfner, RWTH Aachen University, Germany.

Table des matières : ici

Informations pratiques :

Genealogisches Wissen in Mittelalter und Früher Neuzeit. Konstruktion – Darstellung – Rezeption, éd. Giuseppe Cusa, Thomas Dorfner, Oldenbourg, De Gruyter, 2023 ; 1 vol., IX–389 p. (Cultures and Practices of Knowledge in History). ISBN : 978-3-11079-304-8. Prix : € 79,95. Version e-book en open access.

Source : De Gruyter

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Publication – Jason Fossella, « The dromos and Byzantine Communications, Diplomacy, and Bureaucracy, 518–1204 »

The postal system of the Byzantine Empire, the cursus publicus or dromos, was a pony express-style system of routes and relays, capable of moving messages at up to 100 miles (160 km) per day. In this fascinating book, Jason Fossella describes the infrastructure, operations, and administration of the dromos.

Drawing on sources as varied as papyri, seals, inscriptions, and ancient histories, the author examines how the dromos was integrated into Byzantine society and influenced the development of Byzantine diplomacy, ceremony, and religion, demonstrating that it played a key role in the development of Byzantine imperial power.

Jason Fossella, Ph.D. (2014), Saint Louis University, is instructor of Latin and Greek at that university. This is his first book.

Table des matières : ici

Informations pratiques :

Jason Fossella, The dromos and Byzantine Communications, Diplomacy, and Bureaucracy, 518–1204, Boston–Leyde, Brill, 2023 ; 1 vol., 208 p. (The Medieval Mediterranean, 137). ISBN : 978-90-04-68127-9. Prix : € 112,00.

Source : Brill

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Web – Ouverture du site de la revue « Bien Dire et Bien Aprandre »

Nous sommes très heureux de vous annoncer l’ouverture officielle du site de la revue lilloise Bien Dire et Bien Aprandre, revue de médiévistique et de dialectologie picarde.

Fondée en 1978 et publiée par le Centre d’Études médiévales et dialectales de l’Université de Lille et l’ULR ALITHILA (https://alithila.univ-lille.fr/), la revue Bien Dire et Bien Aprandre devient une revue mixte, diffusée en version imprimée et en version numérique, en accès libre différé (après un délai de restriction d’un an).

La revue est hébergée sur la pépinière de revues « Péren », une plateforme qui permet la diffusion en accès ouvert intégral des revues universitaires et scientifiques de la région Hauts-de-France.

Elle est disponible à l’adresse suivante : https://www.peren-revues.fr/bien-dire-et-bien-aprandre/.

Vous retrouverez sur le site de la revue l’intégralité des numéros publiés depuis 1978, sous format d’archives en fac-similé (pour les numéros 1-23), et sous un format double, numérique et imprimé (pour les numéros 24-37). Un index des auteurs et des mots-clés permet par ailleurs d’effectuer des recherches sur les articles publiés.

Nous vous souhaitons une excellente navigation !

Marie-Madeleine Castellani et Matthieu Marchal

marie-madeleine.castellani@univ-lille.fr

matthieu.marchal@univ-lille.fr

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Publication – Cécile Lagane, « Meubles et ameublements médiévaux en Europe occidentale, VIe-XIIIe siècle »

Par une analyse croisée des sources archéologiques, iconographiques et textuelles, il s’agit ici de comprendre les aspects techniques de fabrication des meubles ainsi que les spécificités de leur emploi et leur place dans les sociétés médiévales, à travers l’Europe occidentale du VIe au XIIIe siècle. Il convient d’une part, de déterminer les modalités de choix des essences de bois et de leur provenance ainsi que les assemblages des éléments utilisés dans la construction des meubles et leur évolution au fil des siècles. D’autre part, l’enquête détaille les emplois de ces objets – tant les usages quotidiens que les usages plus remarquables, notamment en contexte funéraire –, et la symbolique qu’ils peuvent représenter. Les particularismes régionaux et les évolutions chronologiques sont abordés et détaillés.
Au-delà des considérations typochronologiques habituelles, cet ouvrage s’attache à inscrire le mobilier meublant dans son contexte matériel, sociologique et symbolique. L’étude de la culture matérielle ne se limite en effet pas à la simple étude longtemps pratiquée de l’objet pour l’objet, mais intègre l’objet matériel dans les pratiques, les gestes et les considérations d’une époque.

Avec le soutien du ministère de la Culture, de la MRSH et du laboratoire CRAHAM de l’université de Caen Normandie.

Cécile Lagane est docteure en archéologie, histoire et histoire de l’art du Moyen Âge, spécialisée dans l’étude pluridisciplinaire de la culture matérielle du Moyen Âge en Europe occidentale. Elle fait partie du Centre Michel de Boüard – CRAHAM / UMR 6273 de l’université de Caen Normandie.

Table des matières :

Historiographie du meuble médiéval
Définitions, critique des sources et méthodologie
Analyse lexicologique et définition du vocabulaire technique
Poursuivre l’enquête iconographique
Typologie technique et morphologique des meubles à travers les sources archéologiques, iconographiques et textuelles
Synthèse technique
La vie du meuble au Moyen Âge

Informations pratiques :

Cécile Lagane, Meubles et ameublements médiévaux en Europe occidentale, VIe-XIIIe siècle, Rennes, Presses universitaires de Rennes, 2023 ; 1 vol., 228 p. (Archéologie et Culture). ISBN : 978-2-75359-374-9. Prix : € 34,00.

Source : Presses universitaires de Rennes

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Colloque – The Image of the Book: Representing the Codex from Antiquity to the Present

A great deal of recent research has focused on the objecthood of the pre-modern book and its associated materiality. But only sporadic attempts have been made to understand the role of visual representations of the book in conveying ideas about knowledge. How can our understanding be transformed when the dictum that “a picture is worth a thousand words” is put into practice, when the how of depiction is accorded as much importance as the what of textual content? This symposium will examine the means by which the book, and in particular the manuscript, is described across a wide variety of media, from painting and sculpture to digital media and film. Topics to be addressed include the book as a symbol of authority, wisdom, or piety; the visual archeology of otherwise vanished bookbinding styles, reading practices, and study spaces; and the re-imagining of the physicality of the codex through digital means.

The event will also mark the public launch at Penn Libraries of the Books as Symbols in Renaissance Art (BASIRA) project, an innovative, public-access web database of thousands of depictions of books in artwork produced between about 1300 and 1600 CE. The database, like the symposium itself, aims to engage historians of religion, literacy, art, music, language, and private life, as well as book artists, conservators, and interested members of the public. The symposium is organized in partnership with the Rare Book Department of the Free Library of Philadelphia.

The program will begin Thursday evening, November 16, 5:00 pm, at the Free Library of Philadelphia in the Rare Book Department, with a reception and keynote address by Jeffrey Hamburger, Kuno Francke Professor of German Art & Culture, Harvard University. The symposium will continue November 17-18 at the Kislak Center for Special Collections, Rare Books and Manuscripts.

Programme :

Thursday, November 16, 2023, 5pm-7pm

Rare Book Department, Free Library of Philadelphia, Parkway Central Library, third floor
All registrants are invited to a reception before the lecture. The lecture will begin at 6:00 pm.

Keynote Address: ‘Avatars of Authorship’, Jeffrey Hamburger, Harvard University

With opening remarks by Janine Pollock, Free Library of Philadelphia; Sean Quimby, Kislak Center for Special Collections, Rare Books and Manuscripts, Penn Libraries; and Nicholas Herman, Schoenberg Institute for Manuscript Studies, Penn Libraries


Friday, November 17, 2023, 9.30am-7pm

University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts, Class of 1978 Orrery Pavilion, Van Pelt-Dietrich Library Center, sixth floor

9:30 – 10:00 am: Coffee

10:00 – 10:15 am: ‘Welcome and Introduction’
Nicholas Herman, Schoenberg Institute for Manuscript Studies, Penn Libraries

10:15 – 11:30 am: Meaning

  • ‘Book History’s Genesis in Exodus: Revisiting the Round Topped Tablets’, Sonja Drimmer, University of Massachusetts Amherst
  • ‘Under Construction: Making and Metaphor in Medieval Images of Book Production’, Beatrice Kitzinger, Princeton University

11:30 – 11:45 am: Coffee

11:45 am – 1:00 pm: Making

  • ‘Representations of Wax Tablets: Codices in Greco-Roman Art and their Importance for Understanding their Making and Use’, Georgios Boudalis, Museum of Byzantine Culture, Thessaloniki
  • ‘Visual Metaphors: Exploring Bookbinding Structures through Visual Representations’, Alberto Campagnolo, University of Udine

1:00 – 2:30 pm: Lunch (with display of real and replica items in Lea Library)

2:30 – 4:00 pm: Format

  • ‘Artisanal Books: Ceramic and Lacquer Imitations from the Qing Court’, Devin Fitzgerald, Yale University
  • ‘A Sampling of Blooks: A Foray into the Fascinating World of Book-form Objects’, Mindell Dubansky, The Metropolitan Museum of Art

(this session will conclude with a showcase of book-form objects)

4:00 – 4:15 pm: Coffee

4:15 – 5:00 pm: Official Launch of BASIRA: The Books as Symbols in Renaissance Art Database
Barbara Williams Ellertson, Independent Scholar and SIMS
Nicholas Herman, SIMS

5:30 – 7:00 pm: Schoenberg Institute for Manuscript Studies 10-year Celebration Event


Saturday, November 18, 2023, 9.30am-7pm

University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts, Class of 1978 Orrery Pavilion, Van Pelt-Dietrich Library Center, sixth floor

9:30 – 10:00 am: Coffee

10–11:15 am: Identities

  • ‘The Image of the Book at the Ottoman Court’, Emine Fetvacı, Boston College
  • ‘Imagining Religious Identity and Difference Through Book Formats: Scrolls and Codices in Judaism and Christianity’, Thomas Rainer, University of Zurich

11:15 – 11:30 am: Coffee

11:30 am – 12:45 pm: Avatars

  • ‘Scrolling through Scrolls and Books in Books of Hours’, Dominique Stutzmann, Institut de Recherche et d’Histoire des Textes
  • ‘Virtual Manuscripts in Virtual Spaces’, Sabina Zonno, University of Southern California

12:45 – 2:15 pm: Lunch (with demo of Manuscripts in VR)

2:15 – 3:45 pm: Icons

  • ‘The Medieval Book as Gateway: Contemplation, Meditation, and Image Making in the Lives of the Desert Fathers’, Denva Gallant, Rice University
  • ‘Iconic Books in Renaissance Art’, James Watts, Syracuse University

3:30 – 3:45 pm: Coffee

3:45 – 5:00pm: Transformations

  • ‘Manuscript Images of the Destruction and Salvage of Books’, Lucy Freeman Sandler, New York University
  • ‘Pop Bibliography: Finding Book History in Popular Media’, Allie Alvis, Winterthur Library

5:00 – 6:00 pm: Closing Reception

Source : Medieval Art Research

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Journée d’étude – Actualité de la recherche sur la sculpture en Belgique

24 novembre 2023 09:00 – 17:00
IRPA, Bruxelles

Le Séminaire d’Histoire de l’Art de l’IRPA 22 se tiendra le 24 novembre 2023 à l’IRPA à Bruxelles. Cette journée sera dédiée à l’actualité de la recherche sur la sculpture en Belgique, mettant en lumière divers sujets passionnants de ce domaine artistique. Rejoignez-nous pour explorer les multiples facettes de la sculpture belge et échanger sur les dernières avancées de la recherche dans ce domaine.

Programme :

9.00 Accueil

9.30 Dominique Vanwijnsberghe (Responsable de la Cellule de recherches en histoire de l’art et inventaire, IRPA) : mot de bienvenue

9.35 Géraldine Patigny (Attachée scientifique, Cellule de recherches en histoire de l’art et inventaire, IRPA) : L’IRPA et la sculpture, une relation plurielle

Séance de la matinée sous la présidence de Camille De Clercq (Responsable du Département Conservation-Restauration, IRPA)

9.45 Marjan Sterckx (Professeure, Vakgroep Kunst-, Muziek- en Theaterwetenschappen, UGent) : Yvonne Serruys. Beeldhouwer van de nieuwe vrouw

10.00 Noémie Petit (Doctorante, ULB/Fondation Périer-D’Ieteren) : Conception et réalisation des retables néogothiques en Belgique : pratiques d’atelier

10.15 Alain Jacobs (Chercheur associé, Association du Patrimoine Artistique) : Étude critique des manuscrits de Philippe Baert de la Bibliothèque Royale (fin XVIIIe siècle)

10.30 Échanges

10.45 Pause café

11.00 Davy Depelchin (Conservator 19de-eeuwse schilder- en beeldhouwkunst, KMKSB) et Ulrike Müller (KMSKB – UAntwerpen) : Tussen toegepast en fundamenteel onderzoek: de KMSKB, een museum en zijn onderzoeknetwerk

11.15 Michel Lefftz (Professeur, Département histoire de l’art et archéologie, UNamur) : Actualité de l’analyse morphologique (technique et style) pour l’étude de la sculpture ancienne

11.30 Henry-Louis Guillaume (Chercheur-doctorant, Crea-Patrimoine, Usine, ULB) et Arnaud Schenkel (Ingénieur, Panorama, ULB) : Numérisation et exploitation virtuelle des données de statues en bronze

11.45 Echanges

12.00 Pause de midi libre

Séance de l’après-midi sous la présidence d’Emmanuelle Mercier (Responsable de l’Atelier des sculptures en bois polychromé, IRPA)

14.00 Marjan Debaene (Hoofdconservator Oude Kunst, MLeuven) : De Leuvense Connectie – Een nieuwe blik op het sociale ambachtelijk netwerk van laatgotische Leuvense beeldhouwers (ca. 1475-1525)

14.15 Emile Van Binnebeke (Conservator Beeldhouwkunst en meubilair, Museum Kunst en Geschiedenis) : De Mechelse aartsbisschoppen d´Alsace-Boussut en van Franckenberg, hun beleid en de consequenties voor de beeldhouwkunst in de 18de eeuw

14.30 Benoît van den Bossche (Professeur, Histoire de l’art et archéologie du Moyen-Âge, ULiège) : La mise en œuvre du Bethléem de Huy. Premières pistes

14.45 Elisabeth Van Eyck (Attachée scientifique, Cellule d’imagerie scientifique et Cellule des publications, IRPA) et Mary Zaffaroni (Bologne, UNamur) : L’analyse technico-stylistique en guise d’outil pour l’étude de la sculpture. L’exemple d’ateliers de l’Entre-Sambre-et-Meuse de la seconde moitié du XVIe siècle

15.00 Échanges

15.15 Pause café

15.30 Elise Philippe (Doctorante, UCLouvain) : Les monuments funéraires au cœur de réseaux de mémoire : enjeux et méthode (Pays-Bas méridionaux et Principauté de Liège, 1620-1750)

15.45 Amandine van Nuffel d’Heynsbroeck (Mémorante, ULiège) : Les vestiges du jubé de Saint-Jacques à Liège

16.00 Échanges

16.20 Visite de l’Atelier des sculptures en pierre et de l’Atelier des sculptures en bois polychromé (sur inscription)

Source : IRPA

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Publication – Thomas M. Izbicki, « Ministry to the Sick and Dying in the Late Medieval Church »

The focus of this volume is on ministry to the sick and dying in the later Middle Ages, especially providing them with the sacraments. Medieval writers linked illness to sin and its forgiveness. The priest, as physician of souls, was expected to heal the soul, preparing it for the hereafter. His ministry might also effect healing of bodies, when that healing did not endanger the soul. This book treats how a priest prepared to visit sick persons and went to them in procession with the Eucharist and oil of the sick. The priest was to comfort the patient and, if death was imminent, prepare the soul for the hereafter. Canon law, theology, and ritual sources are employed. Three sacraments, penance, viaticum, (final communion) and extreme unction (anointing of the sick) are treated in detail. Sickbed confession was designed to forgive the ailing person’s mortal sins. A priest could absolve a dying person of all sins, even those reserved to a bishop or the pope. Viaticum was to strengthen a suffering Christian for life’s last conflict, that between angels and demons for the soul of the dying person. The deathbed thus was a spiritual battlefield. Extreme unction was reserved for those in danger of death, relieving the soul of venial sins or « the remains of sin, » even after confession and absolution. The commendatio animae (commendation of the soul) used with the dying was to usher the soul into the afterlife. Many works have been written about attitudes toward death, dying, and the afterlife in the Middle Ages. Likewise, there is a good deal of literature about individual sacraments. This study aims at bridging between these literatures, with a focus on the priest and parishioner in both theory and practice at the sickbed.

Thomas Izbicki is Librarian emeritus at Rutgers University.

Informations pratiques :

Thomas M. Izbicki, Ministry to the Sick and Dying in the Late Medieval Church, Washington, D.C., The Catholic University Press, 2023 ; 1 vol. ISBN : 978-0-81323-735-0. Prix : USD 75,00.

Source : Catholic University Press

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Publication – « Out of Bounds Exploring the Limits of Medieval Art », éd. Pamela A. Patton et Maria Alessia Rossi

Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages.

The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.

Pamela A. Patton is Director of the Index of Medieval Art at Princeton University. She is the author of Art of Estrangement: Redefining Jews in Reconquest Spain and coeditor of The Lives and Afterlives of Medieval Iconography, both published by Penn State University Press.

Maria Alessia Rossi is Art History Specialist at the Index of Medieval Art at Princeton University. She is the coeditor of Byzantium in Eastern European Visual Culture in the Late Middle Ages and Late Byzantium Reconsidered: The Arts of the Palaiologan Era in the Mediterranean.

Informations pratiques :

Out of Bounds Exploring the Limits of Medieval Art, éd. Pamela A. Patton et Maria Alessia Rossi, University Park, Penn State University Press, 2023 ; 1 vol., 264 p. ISBN : 978-0-271-09497-7. Prix : USD 99,95.

Source : Penn State University Press

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Publication – Laure-Hélène Gouffran, « Être marchand au Moyen Âge. Une double biographie XIVe-XVe siècle »

À l’origine de ce livre, l’ambition d’écrire la biographie de Bertrand Rocafort, marchand provençal au tournant des XIVe et XVe siècles, la volonté de retracer une vie ordinaire éclairée par un corpus documentaire extraordinaire.

Alors que l’enquête commence, les interrogations se multiplient. Le nom est parfois précédé d’une particule, parfois non ; il apparaît tantôt comme un fils de charpentier, tantôt comme un coseigneur. Cet homme en cacherait-il un autre ? Les doutes persistent… jusqu’à la découverte d’un deuxième testament : il existe bel et bien deux Rocafort prénommés Bertrand, exerçant dans une même zone d’activité, et partiellement insérés dans les mêmes réseaux. Un dédoublement imprévu qui ouvre des possibilités de croisements féconds pour interroger la construction des identités urbaines à la fin du Moyen Âge.

Ce livre questionne les origines, les relations, les activités et l’environnement intellectuel de ces deux marchands qui développent, chacun à sa manière, une carrière enviable. Laure-Hélène Gouffran met l’accent sur les expériences vécues, sur la pluralité des interactions sociales, et sur des pratiques tout à la fois commerçantes, religieuses et politiques, guidées par une volonté de s’investir dans la cité. À travers cette double biographie, cet ouvrage dépasse l’étude « du » marchand pour dresser, par petites touches, les contours d’une élite urbaine protéiforme et éclairer un temps singulier de la ville de Marseille à la fin du Moyen Âge.

Docteure en histoire médiévale, Laure-Hélène Gouffran est chercheure associée au laboratoire TELEMMe (Aix-Marseille Université/Cnrs). Ses recherches s’articulent autour de l’histoire des sociétés littorales, de la piraterie et de la course en Méditerranée médiévale.

Informations pratiques :

Laure-Hélène Gouffran, Être marchand au Moyen Âge. Une double biographie XIVe-XVe siècle, Paris, CNRS Éditions, 2023 ; 1 vol., 344 p. ISBN : 978-2-27114-616-8. Prix : € 25,00.

Source : CNRS Éditions

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