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By the Late Middle Ages, the liturgy has become the most important and elaborate ceremonial of Christianity in an already highly ritualised society. Indeed, rituals dominated the everyday life of the faithful, from the Divine Office and the Mass to the individual reading of the Hours; and they accompanied the life of people from their birth to their last breath. Besides, liturgy called for collective involvement and aimed at engaging the faithful by stimulating their senses, in order to trigger emotional and spiritual responses.
Over the past century, much has been said about the liturgy in the Middle Ages. Starting from the historical contribution of Mario Righetti (1946), in the last decades scholars have explored fresh research paths, incorporating notions and tools established by diverse disciplines. Philippe Buc (1997) and Eric Palazzo (2000) have opened up new research opportunities by assimilating sociological concepts, exploring the role of rituals as agents in shaping society and fostering social cohesion. More recently, this field has been fuelled with contributions from numerous disciplines that have started to engage in the study of the past, including neurosciences, performance studies, anthropology (Bull & Mitchell, 2016) and sensory studies (Palazzo, 2014; Neri & Caseau, 2021).
The scientific relevance of these contributions in generating adventurous approaches and opening up new panoramas is unquestionable. Following these fresh pathways, the first conference of the series “Experiencing the Sacred”, established by the SenSArt ERC project, aims to develop the topic further by triangulating the liturgy (broadly intended), the experience of the faithful (understood both as an individual and as social groups) and the sensoria (i.e. the diverse sensory systems that existed in the Middle Ages). In so doing, it aims at showing that the experience of the sacred was not homogeneus and static. On the contrary, it was a multimodal and multisensorial activity, one that bore complex and overlapping layers of meaning, and which was perceived in different ways by the diverse groups and individuals involved.
In order to reach this objective, the conference will consider both the material and the immaterial aspects of the liturgy, and will emphasise the wide range of its sensorial appeal. Images, objects, odours, words, flavours, movement, and sounds all formed part of the liturgical performance that permeated the life of medieval people. And yet, they were exploited and perceived in different terms by the diverse groups involved, such as the religious and lay community, men and women, members of the aristocracy and of the lower social groups.
The meeting will bring together a multi- and interdisciplinary community of scholars with a broad interest in the religious rituals of the late Middle Ages (ca. 1200 to ca. 1500), with particular respect to Art History, History, Musicology and Liturgy, in order to cross-fertilise these perspectives.
Informations pratiques :
21-23 September 2022
PALAZZO BO – AULA NIEVO
Sponsored by the ERC StG Project “The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th-15th century) – SenSArt”. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 950248)
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