Publication – « L’admirable greffier de nature. » Héritages botaniques et zoologiques de Pline au XVIe siècle, dir. Dominique Brancher, Jean-Charles Monferran

Alors que les humanistes de la Renaissance portent sur la nature un regard nouveau, leurs écrits restent largement soumis aux autorités antiques. Parmi ces dernières, Pline tient une place à part. En effet, son œuvre soulève nombre de questions, que ce soit par les défis philologiques et terminologiques qu’elle lance aux éditeurs et traducteurs, l’étendue des connaissances qu’elle exige, la confrontation qu’elle stimule entre un savoir textuel ancien et les merveilles du monde naturel appréhendées par des témoins modernes, les tensions qui la traversent entre esprit de classification et collection d’histoires fabuleuses, ou encore l’instrumentalisation à laquelle elle se prête à des fins idéologiques. Les divers usages dont Pline fait l’objet tout au long du XVIᵉ siècle font que son statut même de savant est contesté : serait-il un menteur, un ignorant ou un romancier ? Les contributions réunies ici cherchent à préciser certains aspects d’un héritage aussi incontournable qu’encombrant.

Table des matières :

Dominique BRANCHER et Jean-Charles MONFERRAN. Introduction

PREMIÈRE PARTIE : PLINE AU PRÈS

Jean CÉARD. Les « nations » monstrueuses : Pline et son héritage

Myriam MARRACHE-GOURAUD. Penser l’éponge avec Pline

Philippe SELOSSE. Évolution de la nomenclature et de la terminologie plinéennes dans la « Res herbaria » à la Renaissance

Philippe GLARDON. Le Jaseur boréal chez Gesner et Aldrovandi. Un exemple de la confrontation entre textes classiques, mythes et réalit©

DEUXIÈME PARTIE : PLINE AU LOIN

Frank LESTRINGANT. La ménagerie de Pline l’Ancien dans les voyages en Orient d’André Thevet et de Pierre Belon du Mans

Adrien MANGILI. Pline s’abuse, Pline se trompe : l’exemple des tortues géantes chez André Thrvet

Elisa ANDRETTA et José PARDO-TOMÁS. Philologues de terrain : chantiers pliniens en Espagne entre vieux et nouveaux mondes (1541-1578)

TROISIÈME PARTIE : PLINE ÈS FICTIONS

Marc DIETRICH. Cochon, loup-garou et rossignol : Pline l’Ancien dans le « Grunnius Sophista » de Luscinius (1522)

Alice VINTENON. Pline, arbitre des vraisemblances ? Les merveilles de l’ « Histoire naturelle » comme étalon du « crédible » dans la poétique de Mazzoni et dans quelques récits comiques

INDEX DES NOMS

Informations pratiques :

L’admirable greffier de nature. » Héritages botaniques et zoologiques de Pline au XVIe siècle, éd. Dominique Brancher, Jean-Charles Monferran, Genève, Droz, 2023 ; 1 vol., 264 p. (Cahiers d’Humanisme et Renaissance, 194). ISBN : 978-2-600-06452-1. prix : CHF 35,00.

Source : Droz

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Publication (en ligne) – « Reti Medievali », 24/2, 2023 : « Linguaggi dell’imperialità nell’Italia del tardo medioevo / Lieux et espaces des communautés (VIème-XIème siècles) »

Accès : ici

Interventi a tema

Linguaggi dell’imperialità nell’Italia del tardo medioevo
Pietro Silanos, Gian Maria Varanini

L’empire à la fin du Moyen Âge : idées pour une déconstruction
Éloïse Adde, Michel Margue

Uno spettro si aggira per l’Italia. Limiti e prospettive dello studio della “presenza imperiale” nell’Italia tardo medievale
Étienne Doublier

Shades of Empire in Late Medieval and Renaissance Reichsitalien. Questioning New Perspectives
Giovanni Francesco Contel

Reply
Anne Huijbers

Saggi

Frenar el contagio por tierra y por mar en Cataluña y Mallorca en el siglo XV: en los albores de los cordones sanitarios
Albert Reixach Sala

Protecting a Dalmatian Town: Security Measures in Venetian Split (1480-1550)
Lena Sadovski

Saggi in Sezione monografica

Lieux et espaces des communautés (VIème-XIème siècles)
Geneviève Bührer-Thierry, Maria Cristina La Rocca

Lieux et espaces des communautés. Introduction
Geneviève Bührer-Thierry, Maria Cristina La Rocca

Des «communautés de village» dans le haut Moyen Âge ? Un retournement historiographique
Michel Lauwers

Changing Spaces: The Evidence of Vienne
Ian Wood

Les communautés cléricales urbaines et leurs lieux. L’exemple des canonicae italiennes (840’s-1040’s)
Émilie Kurdziel

Polarisation ecclésiale et dynamique sociale. À propos des groupes d’habitants dans le haut Moyen Âge
Michel Lauwers

Where Were Court Cases Heard in Northern Iberia in the Early Middle Ages and Were These Community Places?
Wendy Davies

Mobiliser sa communauté dans le pôle épiscopal de Freising entre 739 et 784. Réflexion à partir des eschatocoles du cartulaire
Claire de Cazanove-Hannecart

Comunità costiere tra forme di potere e ambienti ‘ostili’ nella Toscana altomedievale. Un caso di studio tra ‘polarizzazione’ e nucleazione’
Giovanna Bianchi

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Appel à contribution – Intelligence artificielle et la reconnaissance de formes et d’écritures manuscrites

Dans le cadre du Cluster 3  de Biblissima+ “Intelligence artificielle et la reconnaissance de formes et d’écritures manuscrites”, coordonné par Dominique Stutzmann (IRHT – CNRS) et Daniel Stökl Ben Ezra (EPHE-PSL, AOROC UMR 8546), un appel à communication est lancé pour les journées annuelles programmées jeudi 7 et vendredi 8 mars 2024.

Les travaux du Cluster 3 portent sur l’exploitation de l’intelligence artificielle pour la reconnaissance de formes, de caractères et d’écritures manuscrites permettant l’étude du livre ancien manuscrit et imprimé, la sigillographie, la numismatique et l’héraldique.

Les propositions explorant l’intersection entre l’Intelligence Artificielle (IA) et la reconnaissance de formes, de caractères et d’écritures manuscrites permettant l’étude du livre ancien manuscrit et imprimé, la sigillographie, la numismatique et l’héraldique sans contrainte de support matériel sont les bienvenues dans le cadre de cet appel.

Les axes suivants, bien que non exhaustifs, sont mis en avant. Les axes proposés selon les thématiques :

1. Applications

  • Analyse d’image par ordinateur : segmentation, extraction, description de motifs visuels (iconographiques, textuels)
  • Classification : attribution, datation, provenance
  • Reconnaissance de (con)texte : nouvelles approches en OCR/HTR/au-delà de l’HTR
  • Récupération et restauration d’écriture illisible/perdue (palimpsestes, écriture estompée ou sur support endommagé)
  • Optionnel, et pour favoriser les échanges avec le cluster 4 : développement automatique et applications paléographiques de modélisation de l’écriture pour l’analyse de la production (paléo)graphique (eg. reconstruction du processus d’écriture, analyse des systèmes d’écritures et leur composantes)

2. Méthodologie et outils

  • Nouvelles architectures (transformers, modèles génératifs) et plateformes
  • Pertinence des métriques dans l’évaluation des modèles et l’analyse de résultats
  • Interprétabilité
  • Fine-tuning et optimisation: robustesse et flexibilité des modèles (transfert, zero-shot learning) Applicabilité et limites

3. Concevoir des projets en HN

  • Accessibilité et Interopérabilité: Coût humain et computationnel de la production (ou réutilisation) de jeux de données et de modèles
  • Durabilité et flexibilité des chaînes de traitement (end-to-end vs. multi-step frameworks)

Formats de communications

Les soumissions sont ouvertes pour des contributions portant sur des projets en cours ou achevés, des démonstrations d’outils ou de prototypes, ainsi que des réflexions sur l’utilisation de sources dans des contextes académiques et pédagogiques à petite ou à grande échelle. Les contributions prendront les formes suivantes :

  • Communications longues de 20’ + 10’ de discussion, qui seront organisées en sessions thématiques selon les axes proposées
  • Posters, qui seront présentés lors d’une session dédiée et affichés pendant toute la durée du colloque. Ce format est à privilégier pour les présentations de projets et d’infrastructures qui ne comportent pas explicitement une dimension réflexive ou méthodologique

Comment soumettre

Veuillez envoyer vos resumés (max. 500 mots + 1 image) via la plateforme mentionnant les affiliations institutionnelles des auteurs accompagnés d’un bref CV (max. 1 page) en un seul fichier pdf.

  • Lien vers le formulaire de soumissions: https://biblissim-ia-2024.sciencesconf.org/submission/submit
  • Date limite: 05/02/2024
  • Les langues des communications acceptées sont le français et l’anglais.
  • La publication d’un livret d’abstracts des communications et posters acceptés est prévue, sans exclure une éventuelle publication des actes mettant en avant les contributions sélectionnées.

Source : IRHT

Publié dans Appel à contributions | Laisser un commentaire

Publication – Emma Campbell, « Reinventing Babel in Medieval French Translation and Untranslatability (c. 1120-c. 1250) »

How can untranslatability help us to think about the historical as well as the cultural and linguistic dimensions of translation? For the past two centuries, theoretical debates about translation have responded to the idea that translation overcomes linguistic and cultural incommensurability, while never inscribing full equivalence. More recently, untranslatability has been foregrounded in projects at the intersections between translation studies and other disciplines, notably philosophy and comparative literature. The critical turn to untranslatability re-emphasizes the importance of translation’s negotiation with foreignness or difference and prompts further reflection on how that might be understood historically, philosophically, and ethically. If translation never replicates a source exactly, what does it mean to communicate some elements and not others? What or who determines what is translatable, or what can or cannot be recontextualized? What linguistic, political, cultural, or historical factors condition such determinations? Central to these questions is the way translation negotiates with, and inscribes asymmetries among, languages and cultures, operations that are inevitably ethical and political as well as linguistic.

This book explores how approaching questions of translatability and untranslatability through premodern texts and languages can inform broader interdisciplinary conversations about translation as a concept and a practice. Working with case studies drawn from the francophone cultures of Flanders, England, and northern France, it explores how medieval texts challenge modern definitions of language, text, and translation and, in so doing, how such texts can open sites of variance and non-identity within what later became the hegemonic global languages we know today.

Emma Campbell is Associate Professor/Reader in the School of Modern Languages and Cultures at the University of Warwick. Focusing on the francophone literary cultures of the Middle Ages, her work explores how contemporary approaches can be brought into dialogue with medieval texts. She has published on a range of works prior to the fourteenth century, including major traditions such as saints’ lives and bestiaries. She is the author of Medieval Saints’ Lives: The Gift, Kinship and Community in Old French Hagiography (2008) and co-editor of two further books, including Rethinking Medieval Translation: Ethics, Politics, Theory (2012).

Table des matières :

Introduction: Reinventing Babel: Translation and Untranslatability in Medieval French Texts
1:Cultivating Difference: Translation and ‘Remainder’ in Wauchier de Denain’s L’Histoire des Moines d’Egypte
2:Spiritual Translatio in the French Lives of Saint Catherine of Alexandria: Gender and Hagiographic Translation
3:Translation, Memory, and the Limits of Translatability in the Writing of Marie de France
4:Translatio and the Afterlives of Translation in Chrétien de Troyes’ Cligés
5:Monolingualism, Absolute Translation, and Linguistic Mastery in Franco-English Jargon Texts: Jehan et Blonde and Renart teinturier
6:Translating Nature in French Verse Bestiaries: Translation and/as Ontology
Conclusion

Informations pratiques :

Emma Campbell, Reinventing Babel in Medieval French Translation and Untranslatability (c. 1120-c. 1250), Oxford, Oxford University Press, 2023 ; 1 vol., 351 p. (Oxford Studies in Medieval Literature and Culture). ISBN : 978-0-19287-171-8. Prix : GBP 78,00.

Source : Oxford University Press

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Publication (en ligne) – « Déguisements, travestissements, transformations », dir. Emma Belkacemi-Molinier et Clara De Raigniac

Accès : ici

Déguisements, travestissements, transformations, éd. Emma Belkacemi-Molinier et Clara De Raigniac, Questes, t. 47, 223. [En ligne]. URL : https://journals.openedition.org/questes/6816

Table des matières :

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Colloque – A Matter of Feeling? Recent Perspectives in the Study of Emotions

Donnerstag, 1.2. – Samstag, 3.2.2024
A Matter of Feeling? Recent Perspectives in the Study of Emotions

International Conference

Also streamed Live via Zoom. Please register here for

Day 1: Thursday, Feb. 1
Day 2: Friday, Feb. 2
Day 3: Saturday, Feb. 3

Conception: Rüdiger Zill, Potsdam
with Rob Boddice, Tampere; Fritz Breithaupt, Bloomington; Josef Früchtl, Amsterdam; Valentin Groebner, Luzern; David Konstan, New York; Eva Menasse, Berlin; Glenn Most, Pisa/Chicago; Catherine Newmark, Berlin; Barbara Rosenwein, Chicago; Christian von Scheve, Berlin; Philipp Stoellger, Heidelberg; Christiane Voss, Weimar; Tiffany Watt Smith, London

Twenty years ago, when we started our series Passions in Cultures, emotions were at best one topic among many for researchers. Today it is ubiquitous in academia, having received increasing amounts of attention in both the sciences and the humanities. What is the current state of research on the theory of emotions? Can we identify key developments, discoveries, and syntheses that have emerged in the last two decades? Are there feelings that have received special attention? Did the methods used for studying the history and theory of emotions change? Has the field borne out the expectation that it is particularly well-suited for – or in need of – interdisciplinary approaches? Are there specific studies considered paradigmatic? Did the kinds of questions raised over the years change? Have recent developments in politics and society influenced the subjects that researchers have chosen to pursue? Are there signs that researchers are becoming exhausted with the subject? Which questions need considering now?

Thursday, Feb. 1, 2024

19:00 Eröffnung / Opening
Eva Menasse, Berlin
Das eitle Ich. Lesung aus »Alles und nichts sagen«

Friday, Feb. 2, 2024

10:00
Rüdiger Zill, Potsdam
Once More with Feeling. Introductory Remarks

11:00
David Konstan, New York
Emotions across Times and Cultures

12:30
Catherine Newmark, Berlin
»Things got emotional…« On Historical Cycles of Interest in Feelings and Passions

13:30 Lunch break / Mittagspause

15:00
Valentin Groebner, Luzern
Nostalgie als historischer Bastelbogen

16:00
Barbara Rosenwein, Chicago
Theories and Methods. How Medievalists (and Others) Write the History of Emotions

17:30
Tiffany Watt Smith, London
Stolen Feelings in an Age of Consent. Projection, Intimacy and Historical Trespass

18:30
Philipp Stoellger, Heidelberg
Gewalt der Gefühle und gefühlte Gewalt. Zur Verschränkung und ihren Eskalationen

Saturday, Feb. 3., 2024
10:00
Rob Boddice, Tampere
Transdisciplinary Implications of a Biocultural Consensus in Emotion Research

11:00
Christian von Scheve, Berlin
Gefühle auf dem Prüfstand. Zur Streitbarkeit von Emotionen in gesellschaftlichen Konflikten

12:30
Josef Früchtl, Amsterdam
It Needs an Art of Translation. Critical Theory and Feelings

13:30 Lunch break / Mittagspause

15:00
Christiane Voss, Weimar
Gastlichkeit als Szene der Affektpolitik. Eine medienphilosophische Perspektive

16:30
Fritz Breithaupt, Bloomington
Narrative Emotions in the Age of ChatGPT

17:30
Glenn Most, Pisa/Chicago
Final Commentary

Veranstaltung in deutscher und englischer Sprache

Source : Einstein Forum

Publié dans Colloque | Laisser un commentaire

Publication – « Construir e reconstruir na Europa urbana medieval », éd. Amélia Aguiar Andrade and Gonçalo Melo Silva

Construction and Reconstruction in Medieval Urban Europe is the most recent study published by IEM. Coordinated by Amélia Aguiar Andrade (NOVA FCSH and IEM) and Gonçalo Melo da Silva (IEM), this book is available on RUN – Repository of NOVA University Lisbon (http://hdl.handle.net/10362/161936).

Composed of more than two dozen articles by researchers from countries such as France, Spain, Italy, Germany, Portugal and Turkey, this book features contributions from diverse areas as History, Art History and Archaeology. This multidisciplinary perspective is evident in the plurality of topics covered, such as the labours employed, the strategies for sourcing raw materials and financing the works and the importance of religious and military buildings within medieval towns.

Nota de Abertura — António Pita

Construir, destruir e reconstruir na cidade da Europa medieval: um tema em continua renovação — Amélia Aguiar Andrade, Gonçalo Melo da Silva

PARTE I – Os rostos da construção: assalariados, mesteres e outros

Construction et reconstruction au Moyen Âge: métier ou activité? — Philippe Bernardi

Duarte Darmas: desenhador do rei e construtor da imagem do Portugal raiano — Santiago Macías

Contrôle et confiance: la figure du peintre sur les chantiers avignonnais à la fin du Moyen Âge — Camille Larraz

La figure du maître dans le milieu de la construction toulousaine au cours de la seconde moitié du XIVe siècle: l’apport de l’analyse terminologique — Clément Juarez

Os mesteirais na construção no início de Quinhentos: especialização e dependências no trabalho em estaleiros régios manuelinos — Arnaldo Sousa Melo, João Pontes

PARTE II – Abastecimento de matérias-primas de construção

La construcción en el reino medieval de Valencia: Formas de gestión, técnicas y sistemas de abastecimiento de un sector económico puntero — Juan Vicente García Marsilla

Las balsas del Isar y su importancia para el desarrollo de la ciudad de Múnich bajomedieval — Lisa Walleit

Processos construtivos e seleção de matérias-primas, na Torres Novas Medieval: séculos XII a XV — Marco Liberato, Helena Santos, Nuno Santos

PARTE III – O financiamento das obras

Financing and administering the construction of English cathedrals: a case study of Exeter and Norwich, c. 1300-1350 —

Marie Jäcker

Financiar la catedral de Murcia: las disidencias por la gestión de las fábricas entre Orihuela y la Diócesis de Cartagena (ss. XIV-XV) — María José Cañizares Gómez

Uma «carga de trabalhos»: recursos e estratégias de financiamento das obras públicas na Lisboa medieval (séculos XIV-XV) — Catarina Rosa

«Traerá dello mucho prouecho a la dicha çibdad»: la reparación y financiación del puente de Suazo de Cádiz a finales de la Edad Media — Daniel Ríos Toledano

PARTE IV – A construção e reconstrução no espaço urbano

Tuscany’s minor centers: a complex history through the archaeology of architecture — Giovanna Bianchi

Las huellas materiales del poder de los linajes en la configuración del espacio urbano bajomedieval: los indicadores arqueológicos de las villas vascas — Belén Bengoetxea Rementeria

A casa urbana comum no Sul de Portugal, entre o Islam e a Cristandade — Manuel Sílvio Alves Conde

PARTE V — Edifícios militares

Un chantier sous contraintes: gestion et économie de la construction de la forteresse de Salses à la veille du sac français (1503) — Sandrine Victor

Construir e reconstruir na Europa urbana medieval, éd. Amélia Aguiar Andrade and Gonçalo Melo Silva, Lisbonne, IEM, Câmara Municipal de Castelo de Vide, 2023 ; 1 vol., 514 p. ISBN : 978-989-53942-8-9. Accès en ligne. URL : https://run.unl.pt/handle/10362/161936

Source : Repositorio Universidade Nova

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Conférence – Michele Tomasi, « Tapisseries, diplomatie et estrangeté. La défaite de Nicopolis, un échange de dons et la perception des arts en France autour de 1400 »

Cette intervention aborde les événements qui, à partir de la fin de l’année 1396, amenèrent à envoyer des émissaires de la cour de France, chargés de cadeaux diplomatiques, à la cour du sultan ottoman Bayezid Ier, afin de favoriser la libération du fils du duc de Bourgogne, Jean de Nevers, et des autres prisonniers capturés lors de la défaite de Nicopolis. Si les sources d’archives sont lacunaires, plusieurs témoins contemporains ont raconté la mission et décrit les cadeaux apprêtés pour le sultan. L’analyse comparée de leurs récits permet d’éclairer à la fois l’usage diplomatique des arts autour de 1400, les réseaux activés dans ce contexte de crise, la perception que les élites de cour avaient des œuvres que nous dirions artistiques, et la représentation qu’on se faisait à Paris et à Dijon du souverain ottoman et de son entourage.

Une conférence de Michele Tomasi (Université de Lausanne) dans le cadre du cycle de conférences annuel de Transitions.

Informations pratiques :

20 février 224, 18h00-20h00

ULiège – Salle Grand Physique
Place du Vingt Août, 7 (Bât. A1)
4000 Liège

Source : Transitions – ULiège

Publié dans Colloque | Laisser un commentaire

Offre d’emploi – Postdoctoral Researcher (0.8 fte for 3 years) in the ERC Starting Grant project ‘Pages of Prayer

The Leiden University Centre for the Arts in Society (LUCAS) invites applications for a

Postdoctoral Researcher (0.8 fte for 3 years) in the ERC Starting Grant project ‘Pages of Prayer: The Ecosystem of Vernacular Prayer Books in the Late Medieval Low Countries, c. 1380-1550’ (PRAYER)

The Postdoctoral Researcher will be working on a subproject within the ERC Starting Grant research project PRAYER, funded by the European Research Council (ERC) for 2023-2028, and directed by dr. A. (Anna) Dlabačová (Senior University Lecturer in Book History at Leiden University).

The PRAYER-project
Vernacular prayer books were by far the most commonly read books in the late medieval Low Countries. The mainstay of this vast corpus is the Book of Hours in the translation by Geert Grote, founder of one of the period’s most powerful religious reform movements. PRAYER sets out to conduct the first large-scale investigation of this unique corpus by introducing a new approach – network philology – that studies all aspects of vernacular prayer books in their mutual interdependence. The project aims to chart the entire ecosystem of Dutch-language prayer books over a long period of time by combining quantitative network analysis with advanced qualitative analysis.

The nature of the material requires this research to be tackled within a multidisciplinary project. All members contribute to the digital network analysis. Sections of the ecosystem are further analyzed in work-packages that focus on the production and reception of manuscripts, the poetics of prayer, the function of images, and changes and continuities in relation to religious movements and the advent of print.

PRAYER will yield an integrative understanding of the role of prayer books in the late medieval Low Countries on the threshold of the medieval and early modern era.

Subproject: ‘Imagining Prayer: Pictorial Images as Spiritual Instruments in Prayer Books’
After an initial phase of contributing to the acquisition of data on Middle Dutch prayer books in the project’s database (set up in Heurist), the Postdoctoral Researcher will focus primarily on the function of the images within prayer books as a whole, and as spiritual instruments that aid in prayer and meditation in interaction with the texts that they accompany within these books. The design of prayer books, by interweaving textual and visual sequences, afforded a multifaceted devotional activity. The importance of images within devotional practice cannot be overestimated: images can engage readers and evoke emotions in a more immediate way than texts. Similar to texts, images in prayer books functioned in interaction with the texts and/or other images surrounding them. Images can refer, comment and expand on the meaning of a text, thereby offering the reader further suggestions for meditation, evoke additional layers of meaning or a bodily response. Their iconography and positioning within the book was defined through a mix of tradition and personal preferences.
The analysis of the function of images will be approached from the perspectives of text, image, and book, and the successful candidate will publish three peer-reviewed articles on each of these approaches. The successful candidate will also contribute to the organization of the project’s activities, such as an international conference and the ensuing edited volume.

Key Responsibilities

  • You will contribute research on the role of images in manuscript prayer books written in Middle Dutch
  • You will individually author and publish at least three articles in peer-reviewed journals
  • You will contribute to the acquisition of data on prayer books in Middle Dutch in the PRAYER database (the database has been set up in Heurist; https://heuristnetwork.org/)
  • You will participate in meetings of the project research group
  • You will present papers at conferences, both in the Netherlands and internationally
  • You will contribute to the organization of the events and activities within the project, including the project’s sessions at an international conference at the start of year 3 and an international conference at the end of year 4
  • You will participate in the community and the intellectual life of the Institute and contribute to the research profile of LUCAS, in particular within the Medieval and Early Modern Studies cluster (https://www.universiteitleiden.nl/en/humanities/centre-for-the-arts-in-society/medieval-early-modern-studies/research)

Your Profile

  • You have a PhD in Art History, Medieval Studies, (Book) History, Middle Dutch Literature or similar, awarded by the time of appointment, on a topic related to late medieval spirituality, manuscript studies and/or text and image relationships
  • You have well-developed research skills, including the ability to formulate creative research questions, descriptive and analytical skills, and a clear and persuasive style of writing
  • You are willing to travel to libraries in the Netherlands and abroad
  • You have an excellent competence in English, as well as reading competence in Middle Dutch and Dutch
  • You have experience with manuscript research
  • You have a strong interest in the role of images in late medieval spirituality and affinity with text and image relations
  • You are a team player and independent thinker
  • International candidates are encouraged to apply but must be willing to relocate to the Netherlands for the duration of the project.

The organization
The Faculty of Humanities at Leiden University is a unique international centre for the advanced study of languages, cultures, arts, and societies worldwide, in their historical contexts from prehistory to the present. Our faculty is home to more than 6,000 students and 800 staff members. For more information see: https://www.universiteitleiden.nl/en/humanities.

The Leiden University Centre for the Arts in Society (LUCAS) is one of the seven Academic Institutes of the Faculty of Humanities. The institute hosts a range of academic disciplines, clustered around a key research theme: the relationships between the arts and society. Our members study cultural production over the course of two millennia, from classical antiquity to our contemporary world, and teach in programmes ranging from Classics and Book History to Modern Literature, International Studies and Art History. Strengthened by our diversity, LUCAS members are uniquely placed to study the broad concept of the arts, with its rapidly changing ideas, aesthetics, and theories of cultural production. Through research, teaching and outreach, the Institute aims to deepen our understanding, both inside and outside academia, of the cognitive, historical, cultural, creative, and social aspects of human life.
As an academic community, we strive to create an open and welcoming atmosphere, stimulating everyone to get involved and contribute, and connecting scholars from different fields and backgrounds.

Terms and conditions
We offer a 0.8 FTE position (38 hours/week) as postdoctoral researcher for 3 years. The appointment will start 1 June 2024. The salary is in accordance with the collective salary agreement of the Association of Dutch Universities (CAO) and depending on qualifications and experience. The gross monthly salary is € 4.332,- (scale 11.0) to € 4.786,- (scale 11.3) for a full working week. Depending on qualifications, the appointee may start at the appropriate step in scale 10 until they fully meet the requirements for scale 11 as specified by the Faculty of Humanities, particularly regarding the number of years of relevant work experience.
Leiden University offers an attractive benefits package with additional holiday (8%) and end-of-year bonuses (8.3 %), training and career development and sabbatical leave. Our individual choices model gives you some freedom to assemble your own set of terms and conditions. Candidates from outside the Netherlands may be eligible for a substantial tax break. https://www.workingat.leiden.edu/.

Diversity
Fostering an inclusive community is a central element of the values and vision of Leiden University. Leiden University is committed to becoming an inclusive community which enables all students and staff to feel valued and respected and to develop their full potential. Diversity in experiences and perspectives enriches our teaching and strengthens our research. High quality teaching and research is inclusive.

Information
Enquiries about the project, the position and the procedure can be addressed to Anna Dlabacova, PI of the project, e-mail: a.dlabacova@hum.leidenunviv.nl. Questions about the procedure can be directed at Marjolijn Goos via im-lucas@hum.leidenuniv.nl. Information about LUCAS and links to staff expertise can be found at https://www.universiteitleiden.nl/geesteswetenschappen/centre-for-the-arts-in-society.

Applications
Please ensure that you upload the following additional documents in a single PDF, quoting the vacancy number

Please submit your application online (in English) via the blue button in our application system, no later than 29 February 2024, 23:59 CEST.

  • Letter of application with a motivation statement (750 words max.)
  • A short proposal in which you formulate your initial ideas and approach for the subproject (1000 words max.)
  • Your CV, listing education, employment history, organizational experience, publications, and any other academic achievements (conference presentations, organization of events, etc.)
  • Names, positions and contact information for two referees (no reference letters). Please only list these in the PDF and not in the dedicated fields in the online application system

Interviews will take place in March 2024.

Enquiries from agencies are not appreciated.

Source : Universiteit Leiden

Publié dans Offre d'emploi | Laisser un commentaire

Formation – Mittelalterliche Buchmalerei. Geschichte, Ikonographie, Technik, Stil

Die SCRIPTO Summer School Nürnberg (SSSN) bietet eine Einführung in die mittelalterliche Buchmalerei. Auf eine Erörterung historischer, inhaltlicher, funktionaler und technischer Fragestellungen zur Ausstattung des mittelalterlichen Buches sowie eine Diskussion kunsthistorischer Methoden folgen ausführliche praktische Beschreibungs- und Einordnungsübungen anhand von Handschriften der Sammlung der Nürnberger Stadtbibliothek zur Hinführung auf deren wissenschaftliche Erschließung.

Mittelalterliche Buchmalerei. Geschichte, Ikonographie, Technik, Stil

Der Kurs wendet sich an alle Graduierte mediävistischer Fächer und findet in der Regel im zweijährigen Turnus statt. Er wird vom Lehrstuhl für Lateinische Philologie des Mittelalters und der Neuzeit an der Friedrich-Alexander-Universität Erlangen-Nürnberg (Prof. Dr. Michele C. Ferrari) im Rahmen des SCRIPTO-Graduiertenprogrammes und von der Stadtbibliothek Nürnberg gemeinsam veranstaltet. Die Teilnahmezahl ist begrenzt, die Unterrichtssprache ist Deutsch. Dozentinnen sind Dr. Christine Jakobi-Mirwald und Dr. Christine Sauer.

Die Teilnehmerinnen und Teilnehmer erhalten nach Abschluss des Kurses ein Teilnahme-Zertifikat der FAU Erlangen-Nürnberg, das einen Workload bescheinigt, der max. 8 ECTS entspricht.

Die Teilnahmegebühr beträgt 400 € (Bitte beachten Sie, dass in der Gebühr keine Unterkunft enthalten ist). Bewerbungsschluss ist der 1. Februar 2024.

Bewerbungen mit Bewerbungsformular und vollständigem Lebenslauf senden Sie bitte postalisch (Kennwort SCRIPTO) an:

Prof. Dr. Michele C. Ferrari
Friedrich-Alexander-Universität
Mittellatein und Neulatein
Kochstr. 4/3
91054 Erlangen

oder per E-Mail an: mlat-lehrstuhl@fau.de

Das Bewerbungsformular finden Sie hier: https://www.mittellatein.phil.fau.de/scripto/#collapse_4

Kontakt

mlat-lehrstuhl@fau.de

Source : H-Soz-Kult

Publié dans École d'été, Enseignement | Laisser un commentaire