Publication – José Ángel Sesma Muñoz, « Oro blanco. La lana de Aragón en el Mediterráneo medieval (siglos XIII-XV) »

En el periodo medieval, la lana era la materia prima por excelencia para la fabricación de paños, especialmente los de gran calidad, que constituían la base de la actividad comercial en toda Europa. Este libro muestra cómo la necesidad de contar con lana adecuada para fabricarlos hizo que los mercaderes impulsaran la producción en aquellas zonas que, como Aragón, contaban con enormes recursos naturales para ello. Los mercaderes italianos y, tras ellos, los aragoneses y los del resto de la Corona de Aragón contactaron desde el siglo XIV con las gentes del Pirineo, del valle del Ebro y de las sierras ibéricas para comprarles la lana, que exportaban hacia las ciudades que disponían de industrias textiles en el mundo mediterráneo. Pagaban con oro una lana esencial que fue la fuente de prosperidad del reino de Aragón a escala europea a lo largo de la Baja Edad Media.

Table des matières : ici

Informations pratiques :

José Ángel Sesma Muñoz, Oro blanco. La lana de Aragón en el Mediterráneo medieval (siglos XIII-XV), Saragosse, Prensas de la Universidad de Zaragoza, 2023 ; 1 vol. 348 p. (Ciencias Sociales). ISBN : 978-84-1340-663-3. Prix € 26,00.

Source : Prensas de la Universidad de Zaragoza

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Conférence – Nicolas Ruffini-Ronzani, « Autopsie d’un scriptorium. Le parchemin dans la production documentaire et livresque de l’abbaye d’Orval au Moyen Âge »

Archives de l’État à Arlon
Parc des Expositions 9

26 octobre 2023 à 20h00

Entrée libre.
Renseignements : http://www.ial.beinfo@ial.be – 063.22.12.36

Nicolas Ruffini-Ronzani, « Autopsie d’un scriptorium. Le parchemin dans la production documentaire et livresque de l’abbaye d’Orval au Moyen Âge »

Archiviste aux Archives de l’État à Namur & chargé de cours à l’Université de Namur

Les « sciences du patrimoine » connaissent actuellement un véritable essor. Ce champ de recherche vise à faire entrer en dialogue les sciences humaines avec celles de la nature en vue d’améliorer notre compréhension des objets patrimoniaux. Partant, il s’agit aussi d’assurer une meilleure gestion à long terme de ces derniers, à travers un perfectionnement des techniques de restauration et de conservation. Si les travaux menés au sein de ce secteur se concentrent encore régulièrement sur des productions artistiques remarquables, ils s’ouvrent aussi de plus en plus à de nouveaux objets de recherche. Les matériaux médiévaux de l’écrit sont de ceux-là. Depuis une dizaine d’années, en effet, les encres employées dans les chartes et les manuscrits, les supports tels que le parchemin ou le papyrus, et les artefacts associés à la production documentaire du Moyen Age (sceaux et matrices sigillaires, par exemple) se trouvent de plus en plus régulièrement au cœur d’enquêtes qui visent à renouveler en profondeur notre compréhension de l’écrit médiéval.

L’objectif de cette intervention sera de présenter les apports de ces approches nouvelles. Pour ce faire, nous nous focaliserons sur un cas d’étude récemment analysé : l’usage du parchemin à l’abbaye d’Orval au Moyen Age, dans la production de chartes, c’est-à-dire d’actes juridiques, comme dans celle de manuscrits, c’est-à-dit de livres de bibliothèque. Après une présentation du corpus étudié et de la méthodologie adoptée, l’intervention mettra en avant les résultats de l’enquête. Concrètement, c’est la question des espèces animales utilisées comme support d’écriture qui a retenu toute l’attention, à travers une série de questions élémentaires : à partir de quels types de peaux les manuscrits conservés à Orval au Moyen Age ont-ils été réalisés ? Constate-t-on des évolutions chronologiques dans le choix des supports ? Observe-t-on des différences entre les manuscrits produits sur place et ceux qui ont enrichi l’abbaye à la suite d’achats ou de dons ? Peut-on établir des liens entre les caractéristiques matérielles ou le contenu des volumes et les types de peaux utilisés ? Faut-il différencier le parchemin des livres et celui des chartes ?

Source : Archives de l’État

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Offre d’emploi – Job Opportunity at the British Museum: IMAF Project Curator – Netherlandish Drawings

The British Museum is advertising the position of IMAF Project Curator: Netherlandish Drawings (full time, 32 months).

The postholder will support the Netherlandish Drawings research and exhibition project team, working closely with the Lead Curator in the development and delivery of the exhibition and publication. The position is supported by the International Music and Art Foundation (IMAF).

The deadline for applications is 13 October 2023 (12pm midday). More information and application details are available on the British Museum recruitment website.

About the role:

The postholder will support the Netherlandish Drawings research and exhibition project team, working closely with the Lead Curator in the development and delivery of the exhibition and publication.

Key areas of responsibility:

  • To work as a core member of the Project Team, assisting the Lead Curator, and liaising with other internal stakeholders including Collections Management, Collections Care (Conservation) and Science.
  • To manage and file project documentation, object files, and correspondence, and to update object records on database (MI+).
  • To compile and manage digital database with object list and images and project regular object list updates to the Project Team.
  • To track and monitor the movement of BM objects for the exhibition between departments (such as Conservation and Photography).
  • To assist Lead Curator with background research, picture research and picture acquisition for the exhibition and publication, and to coordinate new photography and manage photo orders.
  • To assist with obtaining copyright and rights of reproduction for images to be used in the exhibition, publication, website, and all related printed materials.

About you:

  • Degree in relevant subject, especially history and/or history of art or equivalent
  • High proficiency in Microsoft Office including Word, Excel and PowerPoint, and manage digital imagery.
  • Excellent communication skills in spoken and written English
  • Reading knowledge of one or more northern European language (French, German or Dutch)
  • Excellent research skills
  • Good writing, proofing and editing skills.
  • Museum or gallery experience; project or exhibition experience; research experience
  • Organisational skills, particular attention to details and accuracy
  • Assessing priorities and meeting deadlines.
  • Adaptable, resourceful and imaginative
  • Excellent team player; thrives on challenge. Diplomatic, strong communication skills at all levels

About the British Museum:

Founded in 1753, the British Museum’s remarkable collection spans over two million years of human history and culture. The Museum is one of the leading visitor attractions and its world-famous collection includes the Rosetta Stone, the Parthenon sculptures, Egyptian mummies, the Admonitions Scroll, and the Amaravati sculptures.

The Museum offers a competitive benefits package including:

  • Membership of the civil service pension scheme
  • Free entry to a wide range of museums and exhibitions
  • Participation in private and public Museum activities, including talks by leading curators from around the world and behind-the-scenes opportunities to learn how museums care for and manage their extraordinary collections
  • Generous annual leave allowance
  • Interest-free travel, bicycle and rental deposit loans
  • Professional and personal development opportunities
  • Employee Assistance Programme
  • Discounts on food and gift shop purchases

Additional details:

For more information about this role, please see the job description.

If you have any additional needs that we should be aware of in order to support you with your application, please provide details to bmrecruit@britishmuseum.org.

The British Museum is committed to promoting equality of opportunity for all staff and job applicants. We aim to create a working environment in which all individuals can make best use of their skills, free from unlawful discrimination or harassment. We value the benefits that a diverse workforce brings to a Museum which represents world culture. The Museum is committed to ensuring that no job applicant suffers unlawful discrimination because of any protected characteristics. Our recruitment procedures aim to ensure that individuals are treated fairly because of their relevant knowledge, skills and experience.

We are also currently piloting a flexible way of working that allows our employees to work remotely in a way that suits them and the organisation. We welcome questions and conversations at interview stage and how flexible working could work for you.

The Museum adheres to the HMG Baseline Personnel Security Standard (BPSS) for pre-employment screening of Civil Servants.

Source : The British Museum

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Base de données – Inven’thèses. Inventaire des thèses de doctorat et dossiers HDR conservés dans les locaux du LaMOP en Sorbonne.

Accès : ici

Dans ses locaux en Sorbonne, le LaMOP conserve une collection de thèses, soutenues en France et à l’étranger, qui y ont été déposées progressivement, au long de plusieurs décennies. Entre 2021 et 2022, l’ensemble des volumes ont été inventoriés, réunis en une seule salle et classés matériellement par ordre alphabétique.

Cet inventaire numérique complet – Inven’thèses – enrichi de plusieurs référentiels d’identification (thèses.fr ; idRef), répertorie 889 volumes correspondant à 325 thèses et 53 dossiers HDR, datant de 1945 à 2022, réalisés en grande partie en France mais aussi en Allemagne, Belgique, Canada, Espagne, États-Unis, Italie et Royaume-Uni. Il est consultable en ligne sous la forme d’une base de données et d’un tableau téléchargeable contenant l’intégralité des données (auteurs, titres, universités, dates et mots-clés).

En mettant cette ressource à la disposition de tous, le LaMOP s’engage pour la conservation d’un patrimoine scientifique dont la constitution est moins le fruit du hasard que le reflet des réseaux d’échanges intellectuels qui parcourent la recherche sur le Moyen Âge.

Les volumes sont consultables sur place, sous demande, à adresser au responsable de la Bibliothèque Halphen (Willy.Morice@univ-paris1.fr).

In its Sorbonne offices, the LaMOP conserves a collection of theses, defended in France and abroad, which have been deposited there progressively over several decades. Between 2021 and 2022, all the volumes will be inventoried, brought together in a single room and classified in alphabetical order.

This comprehensive digital inventory – Inven’thèses – enriched with multiple identification references (thèses.fr; idRef), lists 889 volumes corresponding to 325 doctoral theses and 53 HDR files, dating from 1945 to 2022, primarily conducted in France but also in Germany, Belgium, Canada, Spain, the United States, Italy, and the United Kingdom. It can be consulted online in the form of a database and a downloadable table containing all the data (authors, titles, universities, dates, and keywords).

By making this resource available to all, the LaMOP is committed to preserving a scientific heritage whose creation is less the fruit of chance than the reflection of the networks of intellectual exchange that run through research on the Middle Ages.

Volumes can be consulted on site, on request, by contacting the head of the Halphen Library (Willy.Morice@univ-paris1.fr).

Source : LAMOP

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Offre d’emploi – Professorship of Medieval and Renaissance English (University of Cambridge)

Closes: 30th November 2023
University of Cambridge – Faculty of English

The Board of Electors to the Professorship of Medieval and Renaissance English invite applications for this Professorship to take up appointment on 1 October 2024 or as soon as possible thereafter.

Candidates will have an outstanding record of internationally recognised research in the field of Medieval Literature or working between Medieval and Renaissance literature. They will have the vision, experience and enthusiasm to develop the Faculty’s research and teaching. 

Standard professorial duties include teaching and research, examining, supervision and administration. The Professor will be based in Cambridge. A competitive salary will be offered. Candidates will hold a PhD or equivalent postgraduate qualification.

Further information is available at: http://www.hr.admin.cam.ac.uk/professorships

Or contact the Human Resources, University Offices, The Old Schools, Cambridge, CB2 1TT, (email: professorships@admin.cam.ac.uk).

Applications, consisting of a letter of application, a statement of current and future research plans, a curriculum vitae and a publications list, along with details of three referees should be made online no later than 30 November 2023.

The University has a vibrant and varied community, and is an equal opportunities employer. We strongly encourage applications from candidates with a Black and Minority Ethnic background, including those of African and Caribbean heritage. Our recruitment and selection procedures follow best practice, and more details are available here: http://www.equality.admin.cam.ac.uk/

Informal enquiries may be directed to Professor Raphael Lyne, Convenor of the Board of Electors: rtrl100@cam.ac.uk.

To apply online for this vacancy and to view further information about the role, please click on the apply button above.

Please quote reference GG38602 on your application and in any correspondence about this vacancy.

The University actively supports equality, diversity and inclusion and encourages applications from all sections of society.

The University has a responsibility to ensure that all employees are eligible to live and work in the UK.

Source : Jobs.ac.uk

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Publication – Christelle Balouzat-Loubet, « Philippe VI. Le premier des Valois »

Le règne de Philippe VI a laissé dans les mémoires l’image d’une longue lutte pour la sauvegarde de la Couronne. De fait, monté sur le trône de France en 1328, « roi trouvé », c’est-à-dire « choisi » par une assemblée des grands du royaume, le nouveau souverain souffrait d’un déficit de légitimité qui participa au déclenchement du conflit avec son cousin anglais. Les batailles de L’Écluse et de Crécy, qui ouvrirent la Guerre de Cent ans, furent autant de désastres militaires qui ancrèrent le royaume dans une crise profonde.

Pourtant, le royaume de France emmené par Philippe VI continua de se construire autour d’institutions toujours plus efficaces au service d’un monarque à la souveraineté toujours plus affirmée. Les difficultés du temps n’entravèrent en rien, accélérèrent même parfois, ces transformations structurelles. C’est en cela que résida toute l’habileté du roi, héritier des Capétiens et fondateur d’une nouvelle dynastie appelée à régner trois siècles sur le royaume de France.

Informations pratiques :

Christelle Balouzat-Loubet, Philippe VI. Le premier des Valois, Paris, Passés/Composés, 2023 ; 1 vol., 256 p. ISBN : 978-2-3793-3385-9. Prix : € 21,00.

Source : Passés/Composés

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Formation – Mmmonk School 2023

Mmmonk and Henri Pirenne Institute for Medieval Studies (UGent) will host the second edition of Mmmonk school in the autumn of 2023. Mmmonk School offers lessons for advanced beginners about the medieval book. It is an interdisciplinary practice-focused programme about medieval Flemish manuscripts. Six experts introduce the main concepts, skills and methods of their given field of expertise. The lessons are online, free and open for everyone. Join us on three consecutive Fridays (4-6pm CET) in November and December!

Programme :

17 November (4-6pm CET)

Elaine Treharne (Stanford University): The human experience as an integral part of the history and identity of a book

Ann Kelders (KBR Royal Library Belgium): An Introduction to Polyphony Manuscripts in Medieval Flanders and Brabant

24 November (4-6pm CET)

Élodie Lévêque (Université Paris 1 Panthéon-Sorbonne): An Introduction to Biocodicology – The material studies of medieval manuscripts

Thomas Falmagne (Goethe-Universität Frankfurt am Main): An Introduction to Medieval Cistercian Reading Culture

1 December (4-6pm CET)

Lisa Demets (Ghent University): An Introduction to Multilingual Manuscripts in Medieval Flanders

Jeroen Deploige and Wim Verbaal (Ghent University): ‘Spotlight on Mmmonk Research’: Medieval Reading Strategies – The Liber Floridus as a circular enclosure of creation, history and incarnation

Registration

Registration is free. You can register for each day individually. A few days before the session, you will receive a link to the online meeting via Teams.

Registration form

Source : Mmmonk

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Exposition – Storytelling: The Narrative Power of Printmaking

The advent of printmaking in the fifteenth century revolutionized the dissemination of images. Whereas in the past, for example, altarpieces and paintings were only accessible to a select audience, the new mediums of the woodcut and copperplate engraving suddenly made it possible to produce images relatively quickly, cheaply, and in large editions.

This exhibition shows how printmaking, with its particular narrative form, helped to make images and the stories they contained accessible to a wider public. Motifs and depictions were increasingly devoted to profane themes, even though the artists and art of the time were still strongly influenced by religion. What purpose did these profane images serve, what zeitgeist do they reflect, and how did the artists manage to convey not only an image but also a message to viewers of the time on just a few square centimeters of paper? While these viewers understood all the hints in the visual language very well, this knowledgeable seeing is often missing today.

Informations pratiques :

Draiflessen Collection/Liberna

Georgstraße 18
49497 Mettingen
Germany

Exhibition: 15 October 2023 – 28 April 2024

Source : Codart

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Colloque – La sculpture bourguignonne du XVe siecle

11-13 décembre 2023 à Dijon

Programme : ici

Informations pratiques :

LUNDI 11 DÉCEMBRE 2023 Salle de l’Académie des sciences, arts et belles-lettres de Dijon

MARDI 12 DÉCEMBRE 2023 Amphithéâtre de la Bibliothèque Colette/La Nef

MERCREDI 13 DÉCEMBRE 2023 Salle de l’Académie des sciences, arts et belles-lettres de Dijon

Colloque organisé par : Thomas Flum, Jean-Marie Guillouët, Sophie Jugie, Michele Tomasi

Inscription gratuite mais obligatoire : Melissa Nieto (melissa.nieto@unil.ch)

Ü L’Académie
5 Rue de l’École de Droit 21000 Dijon

Ü Bibliothèque Colette/La Nef 1 Pl. du Théâtre
21000 Dijon

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Exposition – The Year 1000. The Netherlands in the middle of the Middle Ages

This major family exhibition takes you on a colourful journey in time through the middle of the Middle Ages: the period 900-1100. The year 1000 brings you close to the people of the time and their ideas about the world. The exhibition passes through their villages, stops by at the imperial residence in Nijmegen, and visits Utrecht Cathedral and the treasuries of Maastricht. You will also explore Byzantium and the Rome of one thousand years ago.

From silver Viking drinking-horns to ancient chess pieces

The exhibition presents more than four hundred objects from all over the Netherlands and far beyond. They include almost every important archaeological artefact from the period 900-1100 that has been found in the Netherlands. Among the highlights are a Viking drinking-horn from the Basilica of Our Lady in Maastricht and the famous Egmond Gospels from the Royal Library of the Netherlands. The display also features swords, ship timbers, golden jewellery (including the recent treasure from Hoogwoud), coin hoards, the pectoral cross of St Servatius, the oldest chess pieces in the Netherlands, and a wooden ladder from a well.

An era of great change

The middle of the Middle Ages, the period 900-1100, can seem like a black hole in history; centuries when nothing happened. But for the region that is now the Netherlands, it was actually a time of great transformation in the climate, landscape, buildings, language and society. The centuries between 900 and 1100 saw the emergence of what is now recognisable as ‘the Netherlands’, with dykes surrounding reclaimed land, a manor after every river bend, and church towers on the horizon.

Newcomers in the Netherlands

The Netherlands was ruled by bishops and formed part of the Holy Roman Empire. These centuries also saw the large-scale exchange of knowledge between East and West: musical notation, the number 0 and chess were all new arrivals in Low Countries. At the end of the millennium, the end of the world was foretold, with solar eclipses, floods and comets seen as omens. In the end, though, nothing happened. The year 1000 tells the stories of these medieval people, of their daily lives and their expectations at the turn of the millennium.

Exhibition programme and events (only available in Dutch)

  • The exhibition is accompanied by a book (€24.95), written by RMO curator Dr. Annemarieke Willemsen.
  • Young and old can explore the exhibition together, with tours for the ages 4 and above or the ages 8 and above.
  • There will be a podcast series (free) and an RMO Magazine (€3.50).
  • The programme features talks and events, including a medieval chess tournament.
  • An interactive guided tour will be available for secondary school pupils.

Partnerships and loans

In addition to Leiden’s own collection, the exhibition features numerous loans from the Netherlands and abroad: important objects from international collections, such as Castello Sforzesco (Milan), National Museum Finland (Helsinki) and Landesmuseum Kassel. There are also loans from more than forty Dutch museums, heritage institutions and private collections, including the National Numismatic Collection (Amsterdam), Museum Catharijneconvent (Utrecht), the Fries Museum (Leeuwarden), the Rijksmuseum (Amsterdam) and the KB, the national library of the Netherlands (The Hague).

An academic research project on the year 1000 is also associated with the exhibition.

The exhibition was created with the support of the Mondriaan Fonds, the Vriendenvereniging RoMeO, the Nico Nap Foundation, the Elizabeth Huss Fonds and Labrys Reizen. The National Museum of Antiquities is supported by the Vriendenloterij.

Informations pratiques :

13 October 2023 to 17 March 2024

Opening hours
Daily | 10:00 – 17:00
Closed: 1 January, 27 April, 3 October and 25 December

Rapenburg 28, 2311 EW Leiden
The Netherlands
Tel: (+31) (0)71 – 516 3163
E-mail: info@rmo.nl

Source : RMO

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