L'Agenda des Médiévistes

Workshop, Poitiers
12-13 octobre 2020

La numérisation d’archives et de fonds patrimoniaux connait un grand développement depuis plusieurs années. La communauté des sciences humaines s’organise autour d’infrastructures nationales comme la Très Grande Infrastructure de Recherche Huma- Num et ses différents consortiums thématiques dont les actions se concentrent essentiellement sur l’aspect méthodologique de la gestion des données numérisées : « développer, évaluer, finaliser des outils et des méthodologies concernant l’usage de la 3D pour la recherche SHS », développer des techniques d’extraction d’informations textuelles de corpus numériques issus d’archives, assurer l’interopérabilité des données ou encore fabriquer des thésaurus.

De nombreux ensembles d’archives sont maintenant numérisés et un certain nombre d’outils ont été mis au point pour créer, gérer, analyser, publier, archiver, visualiser et partager des bases de données relatives à ces corpus. Cependant, il semblerait que peu de résultats scientifiques nouveaux émergent de la mise à la disposition de la communauté de cette documentation. L’objectif de ce workshop, manifestation de clôture du projet de recherche « Des Archives du XIXe siècle à l’Archéologie du XXIe siècle. Le fonds Camille de la Croix » financé par la région Nouvelle Aquitaine, la DRAC et l’université de Poitiers, est donc de mettre en exergue les résultats, en termes de connaissances renouvelées, obtenus grâce à la numérisation des ensembles documentaires anciens.

Les thématiques abordées seront plutôt centrées sur l’histoire, l’histoire de l’art et l’archéologie avec une chronologie très large, mais des exemples dans le domaine de l’ethnographie peuvent également être proposés, pourvu qu’ils soient axés sur les résultats scientifiques obtenus et la plus value apportée par la numérisation de la documentation.

Le workshop aura lieu à l’université de Poitiers les 12 et 13 octobre 2020. Les frais de transport et d’hébergement des intervenants seront pris en charge. Pour ménager un espace de partage d’expérience le plus large possible, les interventions auront une durée de 20 mn maximum et un temps de discussion de 15 mn sera aménagé après chaque intervention. Une publication de ces interventions est envisagée.

Les propositions d’intervention sont attendues pour le 15 avril 2020. Elles comporteront le nom des intervenants, leur adresse mail, le titre de l’intervention et un résumé de celle-ci en 2000 caractères maximum. Elles sont à adresser à Nadine Dieudonné-Glad (nadine.dieudonne.glad@univ-poitiers.fr).

Une réponse sera donnée avant le 30 avril 2020 et le programme disponible début juin 2020.

International conference in Bialystok, Poland from the 17th-20th September 2020
Deadline: April 30, 2020

Organised by The A. Zelwerowicz National Academy of Dramatic Art Branch Campus in Bialystok, Poland and University of Bergen, Norway

This conference is concerned with the agency and life of material objects and evolves around the investigation of two interlaced objectives. First, the conference will shed light on understudied aspects of medieval visual culture, focusing in particular on the agency of images and material objects. Second, it will provide new cutting-edge theoretical reflections and methodologies concerning the study of material agency and “living images” today. We argue that the cultural use of and interaction with images may be regarded as more than mere historically or culturally specific phenomena. Rather, it concerns the ontology of images and constitutes a fundamental aspect of our life with images, in the premodern as well as in the contemporary. It is our contention that images are embedded in social interaction and that animation is deeply constitutive of the production of meaning. Animation, we argue, is not only located in the mind of the beholder, but in the epistemology, creation, interaction and materiality of images. Furthermore, we will argue that medieval animation may inform contemporary views on animation and provide us with a more precise vocabulary to capture current phenomena for instance in the digital world. The conference aim to be interdisciplinary and transhistorical in its perspective and targets scholars of visual studies, material studies, study of religions, anthropology, medieval studies and theology. It is also relevant more generally for current discussions about the life and agency of seemingly dead matter.

There are four main topics of the conference: – Physical/mechanical animation of artworks and other artefacts (sculptures, reliquaries, paintings etc.) – Mental animations of images and objects (artworks, and other artefacts) – Animation in a theatrical context (mystery plays, liturgical plays and staging’s, puppets and other theatrical use of figures and sculptures) – Medieval and Early Modern animation in the 20th century and contemporary theatrical practices. The conference takes as its point of departure the work of the newly organized international research-project: The Living Image (LIMA): On the ontology, agency and personhood of living images and objects – medieval and modern. This project is coordinated from the University of Bergen, Norway, and consists of a group of researchers from Belgium, Denmark, Ireland, Norway, Poland, United Kingdom, and USA, and the work of the international research network: The European Network on the Instruments of Devotion – ENID: https://enid.w.uib.no/ The conference in Bialystok is designed to be a platform for the exchange of opinions, ideas, and historical documentation, as well as the starting point for a publication. We plan to publish a collection of articles offering an interdisciplinary academic survey of the topic of animation in the Middle Ages, and its reception in the 20th Century.

The language of the conference is English. Each contributor will be given 20 minutes to present his/her paper. Please send abstracts of no longer than 500 words, together with a short CV and personal data at the following email: medievalanimation@gmail.com
Deadline: April 30, 2020

Conference fee: 25 Euros (15 Euros for Ph.D. students)

The conference will take place in Bialystok at the: The A. Zelwerowicz National Academy of Dramatic Art Branch Campus in Białystok (Puppet Theatre Art Department) H. Sienkiewicza 14, 15–092 Białystok, Poland http://www.atb.edu.pl e-mail: sekretariat@atb.edu.pl https://goo.gl/maps/hcfuKHoNqKeqPMSK9

Confirmed key-note speakers are: Peter Dent, Ph.D., University of Bristol, GB; Prof. Cynthia Hahn, The City University of New York, USA; Prof. Hans Henrik Lohfert Jørgensen, University of Aarhus, Denmark; Amy Whitehead, Ph.D., Massey University, New Zealand.

Scientific committee: Henrik von Achen, Professor, Dr. Art., Director of the University Museum, University of Bergen, Norway; Kristin Bliksrud Aavitsland, Professor, Ph.D., MF Norwegian School of Theology, Religion and Society, Norway; Barbara Baert, Professor, Ph.D., Art History, Faculty of Arts, Katholieke Universiteit Leuven, Belgium; Jørgen Bakke, Associate Professor, Dr. Art., Department of Linguistic, Literary and Aesthetic Studies, University of Bergen, Norway; Carla Maria Bino, Professor, Ph.D., Università Cattolica del Sacro Cuore, Brescia, Italy; Christophe Chaguinian, Associate Professor, Ph.D., College of Liberal Arts and Social Sciences, University of North Texas, USA; Peter Dent, Senior Lecturer, Ph.D., Department of History of Art, University of Bristol, Great Britain; Rob Faesen, Professor, Ph.D., Department of History of Church and Theology, Katholieke Universiteit Leuven, Belgium; Cynthia Hahn, Professor, Ph.D., Medieval Art History, Hunter College, The City University of New York, USA; Hans Henrik Lohfert Jørgensen, Associate Professor, School of Communication and Culture – Art History, University of Aarhus, Denmark; Jon P. Mitchell, Professor, Ph.D., Social Anthropology, University of Sussex, Great Britain; David Morgan, Professor, Ph.D., Religious Studies & Art, Art History and Visual Studies, Duke University, USA; Salvador Ryan, Professor, Ph.D., Ecclesiastical History, Pontifical University St Patricks College, Maynooth, Ireland; Zuzanna Sarnecka, Assistant Professor, Ph.D., Institute of Art History, University of Warsaw, Poland; Laura Katrine Skinnebach, Assistant Professor, Ph.D., School of Communication and Culture – Art History, University of Aarhus, Denmark; Allie Terry-Fritsch, Associate Professor, Ph.D., School of Art – Art History, Bowling Green State University, USA

Conference organised by:
Kamil Kopania, Ph.D., The A. Zelwerowicz National Academy of Dramatic Art, Branch Campus in Bialystok, Poland (https://atb.edu.pl/o-wydziale/pedagodzy/dr-kamil-kopania) Henning Laugerud, Associate Professor, Dr. Art., Department of Linguistic, Literary, and Aesthetic Studies, University of Bergen, Norway (https://www.uib.no/en/persons/Henning.Laugerud)

Source : Medieval Art Research